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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
RIMSKY-KORSAKOV, Paul Kletzki, The Philharmonia Orchestra
Scheherazade
- Paul Kletzki - conductor
- The Philharmonia Orchestra - orchestra
- RIMSKY-KORSAKOV
149.00 PLN
LP-180G 33rpm:
Nr kat.: HIQLP031Label : Hi-Q Records
“Records that are financial bargains are either reissues of somewhat old material that are admirably played but in faded recorded sound or new records by artists whose names hold out little promise of an exciting performance. But when you are offered a new record of Scheherazade, played by the Philharmonia Orchestra and conducted by a conductor, Kletzki, who is very likely to do this sort of thing well, then you can hope for a cheap record that is a bargain in the best sense of the word. And that is what this record is.”
So began the GRAMOPHONE review for what was in 1960 a new budget label designed to compete with the emergence of record clubs offering cheap records by mail order. Unlike Decca’s Ace of Clubs, HMV Concert Classics offered mainstream repertoire, often newly recorded and in stereo.
In the original December 1960 review of the stereo release Thomas Hearns of the GRAMOPHONE summed up his comments above with:
“...a thoroughly good performance and very well recorded...”
Cut at Abbey Road Studios from the original stereo analogue master tapes with the Neumann VMS82 lathe fed an analogue pre-cut signal from a specially adapted Studer A80 tape deck with additional ‘advance’ playback head, making the cut a totally analogue process.
Recorded on April 12-14, 1960 at No. 1 Studio, Abbey Road, London. Produced by the legendary Victor Olof and engineered by Douglas Larter.
