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Puente Celeste


Nama image
Galeria okładek

ZamknijGaleria okładek

  • 1. Chiquita
  • 2. Aire Sere
  • 3. Toto
  • 4. La Noche Murmura
  • 5. A
  • 6. Gincana
  • 7. Tal
  • 8. Milonga Del Bicho Feo, Una, Pinche Tirano
  • 9. Generala I
  • 10. Calma
  • 11. Mundos Que Se Tocan
  • 12. El Amor
  • 13. Generala II
  • 14. No Hay Despues
  • Puente Celeste - artist
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99.00 PLN


Nr kat.: M084A
Label  : MaRecordings
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149.00 PLN

pliki WAV:

Nr kat.: M084_HR
Label  : MaRecordings

pliki 176.4 kHz WAV Studio Master

The project was recorded in early April 2010, over the course of three days, in the rather intimate sounding hall at Goethe Instituto Buenos Aires. Being rather small, the hall does not possess the deep acoustic that hardcore MA fans are used to and is therefore, sonically very different from other MA albums recorded in larger, deeper sounding spaces. However, the sound on Nama is VERY immediate, as if the band is playing in your own room, assuming you don`t live in a large concert hall………. The title, “NAMA” was decided upon due to the sonic character of the record and the way it was minimally recorded (with MA`s two custom made microphones). Because the record possesses such an “immediate” and “raw” sonic presence, the group wanted to call the record “Crudo” which means “Raw” in Spanish. At the same time however, as the translation in English has a rather negative connotation (“Crude”), I suggested we use “Nama”, the Japanese equivalent, which means both “Raw” and “Live” as well. “Nama” certainly has a more exotic and positive feel, at least to non-Japanese…. While the sound of “Nama” is “Raw”, I have no reservations in affirming that, to the contrary, Puente Celeste COOK! Incessently! The music is at once, beautiful, elegant, melodic, rhythmic and I must reiterate, COOKS like crazy! Even though it is RAW (not crude), I cannot recommend Puente Celeste`s music enough (!) and hope you will check it out soon. If not now, when??!! Finally, in case you are wondering, the album was recorded at the ultra high sampling rate of 5.6 MHz with MA`s newly acquired Korg MR-2000 DSD one bit master recorder,. The usual pair of MA custom, DC powered mikes with 16mm DPA omnidirectional capsules was used, along with a 3 meter pair of Crystal Cable Ultra XLR cables. High Resolution mastering was done at 176.4 kilohertz with Samplitude Master software. (Todd Garfinkle, MA Recordgins)"