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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Peter Epstein
The Invisible
99.00 PLN
CD:
Nr kat.: M050ALabel : MaRecordings
If you were rather disappointed with the "New Millenium" and the inevitable passing of time, then perhaps you should check out Peter Epstein`s new record, "The Invisible." Like all of our releases, we feel this record presents a powerful and viable musical statement that will stand the test of time. What "The Invisible" presents to the listener is an aural look back at the sound of the 60`s, while making strides into the (ever shrinking) creative sonic future. How can this happen? One listen to Jamie Saft`s vintage, vacuum tube powered Italian Farfisa organ on tracks 2, 4 and 6 and you will understand what we mean. But, let`s not forget that this is Peter`s record and that he penned all the compositions to play with this band which also includes the stable Chris Dahlgren on bass and most amazing of drummers, Jim Black. Quite honestly, it is truely difficult to describe the music on this record, but what I can say with conviction is that everyone has his own voice and when everyone "sings" together, the energy and "harmony" is from another world. This quartet is so free, but so tight and Peter`s compositions could not sound better than with the members of this group. (MA Recordgins)
