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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Peder Af Ugglas
Autumn Shuffle
ZamknijGaleria okładek
- Peder Af Ugglas - Autumn Shuffle
- 01. Harvest Song (4:47) >>> Posłuchaj fragmentu <<<
- 02. Wino's Dance (5:21) >>> Posłuchaj fragmentu <<<
- 03. Autumn Shuffle (4:48) >>> Posłuchaj fragmentu <<<
- 04. Central South (5:12) >>> Posłuchaj fragmentu <<<
- 05. Passion (3:27) >>> Posłuchaj fragmentu <<<
- 06. Last Call (3:51) >>> Posłuchaj fragmentu <<<
- 07. Far Away (4:16)
- 08. Dawn (3:07)
- 09. I Sold My Boat (2:35)
- 10. Stockholm (4:28)
- 11. Passing By (1:54)
- 12. Strife Within (4:38)
- 13. A Hymn (4:33)
- Peder Af Ugglas - guitar
NAJSŁYNNIEJSZA PŁYTA WYTWÓRNI OPUS 3
Quote from Svenska Dagbladet "The opening bars remind us of Ry Cooder's version of Dark End of the Street. Soon the melody undergoes a change, but with the same very rich and lyrical slide-tone, the same richly charged beauty. Also Peder af Ugglas moves equally unerringly and tastefully between the various styles. He develops a blues-saturated tonal picture in Wino's Dance without slide. With the electric slide, smartly used wah wah-pedal and heavy organ-chords he performs a freely flowing blues in Central South. Otherwise he moves freely between delta-blues and Gospel, occasionally spiced with New Orleans. But af Ugglas guitar playing puts music at the centre. The tone is warm and full, sometimes rich, his solos precisely expressive, and the Spanish guitar in Passion is so soft and passionate that time stands still. Then the supreme moment is near."
