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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Patricia Barber
Companion
ZamknijGaleria okładek
389.00 PLN
2 LP-180G 33rpm:
Nr kat.: PRE907621Label : Premonition Records
229.00 PLN
GOLD 24K:
Nr kat.: IMP8327Label : Impex (USA)
PREMIERA NAJNOWSZEJ WERSJI - GOLD 24K
Everything is fair game for pianist/vocalist/composer Patricia Barber. On the live COMPANION, Barber takes on Sonny and Cher's "The Beat Goes On," Bill Withers's "Use Me," and the Fleetwood Mac/Santana hit "Black Magic Woman," transforming each into a jazz-inspired vignette that tips its hat to its pop origins then moves blithely - and brazenly -- on. Other material is more jazz explicit: the dedicatory original "Like JT" is a tempo-changing instrumental inspired by the work of pianist Jacky Terrason that allows Barber to show off some fancy piano playing. "Let It Rain," "Touch of Trash" and "If This Isn't Jazz" are Baber opuses that display her talents for clever wordplay and engaging songform. With a voice that slyly slips its way into a lyric, Barber makes use of the potent power of understatement - hear her backdoor interpretation of Withers's normally high voltage "Use Me" or her mysterio-slinky take on "Black Magic Woman." For Barber the line between pop and jazz is getting thinner every day, and she couldn't be more pleased. David Cohen
