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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
PAER, Jennifer Larmore, Paul Nilon, Rebecca Evans, The Philharmonia Orchestra, Marco Guidarini
Sofonisba
ZamknijGaleria okładek
- Marco Guidarini - Sofonisba
- 01. Introduzione - O dell'armi gran Nume possente (2:09)
- 02. Introduzione - Infelice! Ahi! chi mi dice (2:57)
- 03. Introduzione - Viva l'Eroe Numida (3:01)
- 04. Aria (Massinissa) - Amo un volto lusinghiero (2:58)
- 05. Aria (Massinissa) - Vuoi ch'io vadain mezzo al campo (5:55)
- 06. Aria (Sofonisba) - Io saprei con alma forte ... Ah! la patria ho sol nel core (6:53)
- 07. Terzetto Finale - Una soave calma (4:01)
- 08. Terzetto Finale - Perfidi indegni! moglie infida! (2:54)
- 09. Terzetto Finale - Caro sposo, io t'amo ancora (4:13)
- 10. Duetto (Sofonisba - Siface) - Or vorrai ferirmi, ingrato? (3:39)
- 11. Duetto (Sofonisba - Siface) - Anche in mezzo alle mie pene (2:21)
- 12. Quartetto - La virtù del Roman Duce (4:15)
- 13. Quartetto - Dopo fiera e rea tempesta (3:08)
- 14. Aria (Siface) - Da tanto duolo e spasimo (4:12)
- 15. Aria (Siface) - Vado a svenar quel perfido (3:21)
- 16. Aria (Siface) - Possente Nume Armigero (2:47)
- 17. Scena - O bellicoso dio, del tuo gran tempio (4:22)
- 18. Ah, consorte! Ah, figlio! addio (3:35)
- 19. Se la patria a me diè vita (3:37)
- 20. Finale - Grande Eroe! Pentito io sono (2:53)
- Jennifer Larmore - soprano
- Paul Nilon - tenor
- Rebecca Evans - soprano
- The Philharmonia Orchestra - orchestra
- Marco Guidarini - conductor
- PAER
Highlights
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This disc represents the fourth release in Opera Rara’s increasingly popular and critically praised Essential Opera Rara series. It is generally acknowledged that Rossini’s arrival on the musical scene changed the face of Italian opera. Everyone imitated him and his fresh approach to opera. But what was Italian opera like prior to this renaissance? Operas were being written but composers were still working with 18th century tools. While denying neither the genius of Rossini nor his position in the Romantic Movement in Italian opera, composers such as the Bavarian Giovanni Simone Mayr and the Parma-born Ferdinando Paer were already reshaping the operatic traditions laid down by Haydn and Mozart. Sofonisba, a classical heroine portrayed by various 17th and 18th century composers, becomes, in Paer’s hands, a more realistic figure – a real woman. When circumstances turn against her she takes poison and it is here that Paer seizes the opportunity for something exceptional. The emotionally charged, multi-movement final scene for Sofonisba was something audiences had never encountered before. The impact of these performances of Sofonisba was not lost on Rossini – the opera was revived 15 years later in Naples for his wife, the great Isabella Colbran. In a period when audiences demanded only new operas it seems an extraordinary testament to the innovations of Ferdinando Paer. Uczestnicy nagrania: Jennifer Larmore (Sofonisba), Paul Nilon (Siface), Rebecca Evans (Massinissa), Mirco Palazzi (Scipione), Colin Lee (Lelio), Lucy Crowe (Osmida). Philharmonia Orchestra, Geoffrey Mitchell choir, Marco Guidarini - conductor