Ta strona wykorzystuje mechanizm ciasteczek (cookies) do poprawnego działania. Więcej informacji na stronie Polityka Prywatności. Zamknij.

Logowanie

MOZART, LISZT, SCHUBERT, MOSZKOWSKI, Valdimir Horowitz

Horowitz in Hamburg - The Last Concert

Vladimir Horowitz - Horowitz In Hamburg: The Last Concert 01. Rondo for piano No. 1 in D major, K. 485 (6:40) 02. Piano Sonata No. 13 in B flat major, K. 333 (K. 315c): 1. Allegro (7:49) 03. Piano Sonata No. 13 in B flat major, K. 333 (K. 315c): 2. Andante cantabile (10:06) 04. Piano Sonata No. 13 in B flat major, K. 333 (K. 315c): 3. Allegretto grazioso (6:40) 05. Soirées de Vienne, valse caprice for piano No. 6 (I; after Schubert D. 969 & 779) S. 427/6 (LW A131/6) (7:42) 06. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 1. Von fremden Ländern und Menschen (About foreign lands and peoples) (1:27) 07. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 2. Kuriose Geschichte (Curious story) (1:06) 08. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 3. Haschemann (Catch me if you can) (0:34) 09. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 4. Bittendes Kind (Pleading Child) (0:52) 10. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 5. Glückes genug (Happiness) (0:45) 11. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 6. Wichtige Begebenheit (Important event) (0:51) 12. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 7. Träumerei (Dreaming) (2:30) 13. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 8. Am Kamin (At the fireside) (1:21) 14. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 9. Ritter vom Steckenpferd (Knight of the hobby-horse) (0:40) 15. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 10. Fast zu ernst (Almost too serious) (1:31) 16. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 11. Fürchtenmachen (Frightening) (1:39) 17. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 12. Kind im Einschlummern (Child falling asleep) (1:46) 18. Kinderszenen (Scenes from Childhood) for piano, Op. 15: 13. Der Dichter spricht (The poet speaks) (2:28) 19. Mazurka for piano No. 25 in B minor, Op. 33/4, CT. 75 (4:48) 20. Polonaise for piano No. 6 in A flat major ("Héroique"), Op. 53, CT. 155 (7:34) 21. Moment musical for piano in F minor ("Air russe"), D. 780/3 (Op. 94/3) (2:15) 22. Étincelles, for piano, Op. 36/6 (2:31)
  • Valdimir Horowitz - piano
  • MOZART
  • LISZT
  • SCHUBERT
  • MOSZKOWSKI

Produkt w tej chwili niedostępny.

~ Pomnikowe ~

On 21 June 1987, before an ecstatic audience in Hamburg’s Musikhalle, 83-year-old Vladimir Horowitz gave the last concert of a career that stretched over nearly seven decades. The recital, taped by North German Radio (NDR), lay in their archives virtually untouched for more than 20 years (one encore was included in Deutsche Grammophon’s anthology The Magic of Horowitz in 2003). It is now being released in its entirety for the first time in any format. The repertoire is familiar, with Mozart and Schumann (Kinderszenen op. 15) to the fore. There is a last heroic assault on Chopin’s Polonaise in A flat op. 53 and the final scintillating encore is Moszkowski’s Etincelles, a Horowitz evergreen. The recording provides a unique souvenir of Horowitz’s final public appearance, where the sense of occasion and immediacy is palpable. Gramophone Magazine July 2008 “One comes away dazzled by the unique sonority imagination and élan of this extraordinary musician.” The Telegraph 16th August 2008 “In a programme of Mozart, Liszt, Schumann, Chopin, Schubert and Moszkowski, Vladimir Horowitz demonstrates his guiding principle that the piano should be made to sing. There is a beautifully shaped, lyrical quality to his playing, allied to intuitive musical characterisation and a magical sense of intimacy” . The recording provides a unique souvenir of Horowitz’s final public appearance, where the sense of occasion and immediacy is palpable. Tekst alternatywny
Płyty SHM-CD do odtworzenia we wszystkich typach czytników CD oraz DVD. Gwarantują niespotykaną wcześniej analogową jakość brzmienia, odwzorowują wszystkie walory taśmy-matki. Zdaniem specjalistów - ten nośnik i ta technologia najlepiej - bo natywnie, przenosi na krążek CD wszystkie walory nagrania analogowego.

 

Razem z tą płytą inni Melomani kupowali: