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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
MOULU, The Brabant Ensemble, Stephen Rice
Missa Alma redemptoris and Missus est Gabriel
- 1 Mater floreat [5'41] Pierre Moulu (?1484-c1550)
- Missa Missus est Gabriel angelus Pierre Moulu (?1484-c1550)
- 2 Movement 1: Kyrie [4'06]
- 3 Movement 2: Gloria [5'08]
- 4 Movement 3: Credo [5'34]
- 5 Movement 4: Sanctus and Benedictus [6'05]
- 6 Movement 5: Agnus Dei [4'19]
- 7 Missus est Gabriel angelus [4'09] Josquin Des Prez (c1450/55-1521)
- 8 In pace [8'52] Pierre Moulu (?1484-c1550)
- Missa Alma redemptoris mater 'Short version' Pierre Moulu (?1484-c1550)
- 9 Movement 1: Kyrie [2'08]
- 10 Movement 2: Gloria [4'19]
- 11 Movement 3: Credo [7'59]
- 12 Movement 4: Sanctus and Benedictus [4'45]
- 13 Movement 5: Agnus Dei [3'37]
- Missa Alma redemptoris mater 'Long version' Pierre Moulu (?1484-c1550)
- 14 Movement 1: Kyrie [2'49]
- 15 Movement 5: Agnus Dei [5'01]
- The Brabant Ensemble - orchestra
- Stephen Rice - conductor
- MOULU
59.00 PLN
CD:
Nr kat.: CDA67761Label : Hyperion
The Brabant Ensemble and Stephen Rice bring another forgotten Renaissance master to the ear of the listening public. Little is known about the life of the composer Pierre Moulu—he joins the long lists of Renaissance musicians whose lives are all but entirely masked in shadow. Fortunately a number of his works found favour with his contemporaries to the extent that they appear in numerous early manuscripts and prints, and they have attracted the attention of music historians since the earliest days of the discipline in the late nineteenth century. Like much of the large repertory of sixteenth-century polyphony, however, his works have rarely been performed in modern times, and this is the first recording devoted to his music. Moulu’s most celebrated work is the Missa Alma redemptoris mater, an extraordinary piece that can be sung with or without rests, as the polyphony is composed so as to fit together in two combinations. The short version is recorded here along with two movements from the alternative long version. Stephen Rice’s fascinating and scholarly programme notes fully explain the techniques involved. Also included is the parody mass Missa Missus est Gabriel angelus, based on a motet by Josquin which is also recorded here. Two contrasting motets by Moulu complete this disc—an important survey of an almost entirely unknown composer, sensitively performed and recorded.