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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
MOSZKOWSKI, KARLOWICZ, Tasmin Little, BBC Scottish Symphony Orchestra, Martyn Brabbins
Violin Concertos
- Contents:
- Mieczyslaw Karlowicz
- (1876-1909)
- Violin Concerto in A major Op 8 [27'00]
- 1. Allegro moderato - [12'26]
- 2. Romanza: Andante [7'37]
- 3. Vivace assai [6'53]
- Moritz Moszkowski
- (1854-1925)
- 4. Ballade in G minor Op 16 No 1 [11'25]
- Violin Concerto in C major Op 30 [34'13]
- 5. Allegro comodo [15'20]
- 6. Andante [11'38]
- 7. Vivace [7'14]
- Tasmin Little - violin
- BBC Scottish Symphony Orchestra - orchestra
- Martyn Brabbins - conductor
- MOSZKOWSKI
- KARLOWICZ
Hyperion’s Record of the Month for April is the fourth volume in the burgeoning ‘Romantic Violin Concerto’ series. The central work on the disc is Moritz Moszkowski’s C major Violin Concerto, a full-blooded Romantic work which demands exceptional virtuosity. An increasing number of recordings, many on the Hyperion label, of this composer’s music have done much to lift his reputation beyond that of the ‘trifling miniaturist’, and the Ballade in G minor amply demonstrates how even a small canvas can aspire to advanced heights of pyrotechnic wizardry. How much better known might Mieczysław Karłowicz have become had he not been struck down in his prime by an avalanche. What works do survive place Karłowicz firmly alongside the ‘progressive neo-Romantics’—with Wagner and Richard Strauss at their head—and his reputation today is largely based on a set of six symphonic poems composed in the last few years of his life. The Violin Concerto dates from the same period. Karłowicz places considerable demands on the soloist as he exploits the instrument’s full potential but, as with Moszkowski’s Concerto, the required virtuosity never seems superfluous. Martyn Brabbins again leads the BBC Scottish Symphony Orchestra, this time in support of Tasmin Little, whose twenty or so recordings and innumerable worldwide concert appearances have won for her an enviable reputation as one of today’s leading violinists. This is her first recording for Hyperion.