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Songs my mother taught me

01 Czardas - Vittorio.Monti 04:06 02 Zigeunerweisen, Op. 20, No. 1 - Sarasate 08:53 03 It Ain't Necessarily So - George Gershwin 02:50 04 Dance Espagnole - Falla 03:33 05 Meditation - Jules Massenet 04:55 06 March from Love for Three Oranges - Prokofiev 01:37 07 Salut d'Amour - Edward Elgar 02:39 08 Sicilienne and Rigaudon (in the style of Francoeur) - Fritz Kreisler 04:25 09 Estrellita - Ponce 03:05 10 Morceau de Lecture & Serenade Toscane - Gabriel Fauré 04:44 11 Apres un Reve - Gabriel Fauré 02:53 12 Berceuse Romantique, Op. 9 - Fritz Kreisler 03:53 13 Romance Op. 78 No.2 - Jean Sibelius 02:43 14 Girl with the flaxen Hair - Claude Debussy 02:32 15 Praeludium and Allegro - Fritz Kreisler 05:49 16 Variations on a Theme by Corelli ( In the style of Tartini) - Sergei Rachmaninov 03:50 17 Introduction and Rondo Capricioso, Op. 28 - Saint Saens 09:35
  • David Oistrakh - violin
  • Lev Oborin - piano
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189.00 PLN


Nr kat.: HDS282
Label  : ABC Int. Records

ULTRA Analog CD - AAD is a Digital Copy Of The Master Tape - SILVER CD

Cząsteczki srebra są jednolite i mają stały współczynnik odbicia, co zapewnia równą, reprodukcyjną jakość dźwięku. Posrebrzany `CD 6N ma również wyższy współczynnik odbicia niż 24-karatowe złoto. 6N - Czyste Srebro! David Oistrakh is considered one of the pre-eminent violinists of the 20th century. His playing was marked, apart from a phenomenal technique, by stylistic fidelity to works by different composers of different historical periods. Oistrakh possessed large, quite fleshy hands, which helped prevent any roughness to his tone. His fingers appeared to caress the fingerboard with the minimum of perceived effort and height, and the liquidity of his position-changes made the potentially hazardous appear graceful. His vibrato tended towards medium–slow, and he deployed it with exquisite subtlety, bucking the prevailing tendency to vibrate all the time. To lend the left arm extra support, Oistrakh used a shoulder pad, which he insisted left the natural resonances of his violin unimpaired. Throughout his career David Oistrakh was known for his honest, warm personality; he developed close friendships with many of the leading musicians of the day. He always demanded of himself (and his students) that musical proficiency, intelligence, and emotion be in balance, regardless of the particular style. Oistrakh felt that a violinist's essence was communicated through clever and subtle use of the bow, and not through overly expressive use of vibrato. To this end he developed a remarkably relaxed, flexible right arm technique, capable of producing the most delicate expressive nuances, but equally capable of generating great volume and projection. When listening to an Oistrakh performance – most especially his studio recordings – it is the accumulation of the whole that tends to leave the most profound impression, rather than the emotional resonance of individual moments.


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