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MONTEVERDI, Harry Christophers, The Sixteen

Second Vespers for the feast of Santa Barbara

  • Vespers for the Feast of Santa Barbara Claudio Monteverdi (1567-1643)
  • CD1
  • 1 Movement 01: Organ improvisation [1'07]
  • Paul Nicholson (organ)
  • 2 Movement 02: Deus in adiutorium meum intende [1'59]
  • 3 Movement 03: Angelicam vitam eligens [0'38]
  • 4 Movement 04: Dixit Dominus Domino meo [7'37]
  • 5 Movement 05: Pulchra es, amica mea [3'51]
  • 6 Movement 06: In Dei orto sata [0'30]
  • 7 Movement 07: Laudate pueri Dominum [6'20]
  • 8 Sonata [1'31] Giovanni Amigone (fl1613-1613)
  • Vespers for the Feast of Santa Barbara Claudio Monteverdi (1567-1643)
  • 9 Movement 09: Paterni oblita amoris [0'37]
  • 10 Movement 10: Laetatus sum in his [7'12]
  • 11 Movement 11: Nigra sum, sed formosa [4'14]
  • 12 Movement 12: In Sanctae Trinitatis [0'34]
  • 13 Movement 13: Nisi Dominus aedificaverit domum [4'46]
  • 14 Sonata [1'13] Giovanni Amigone (fl1613-1613)
  • Vespers for the Feast of Santa Barbara Claudio Monteverdi (1567-1643)
  • 15 Movement 15: Trinitatem venerata [0'31]
  • 16 Movement 16: Lauda Jerusalem [4'45]
  • 17 Movement 17: Duo Seraphim clamabant [5'56]
  • CD2
  • 1 Movement 18: Confitebor tibi Domine [0'35]
  • 2 Movement 19: Exultet celebres virginis [2'16]
  • 3 Movement 20: Ora pro nobis [0'18]
  • 4 Movement 21: Hodie beata Barbara virgo gloriosa [1'00]
  • 5 Movement 22: Magnificat anima mea [17'55]
  • 6 Movement 23: Dominus vobiscum [1'38]
  • 7 Gaude Barbara beata [7'43] Giovanni Pierluigi da Palestrina (c1525-1594)
  • Vespers for the Feast of Santa Barbara Claudio Monteverdi (1567-1643)
  • 8 Movement 25: Sit nomen Domini benedictum [0'51]
  • 9 Movement 26: Audi caelum verba mea [8'04]
  • 10 Movement 27: Angelus Domini nunciavit Mariae [1'16]
  • 11 Movement 28: Sancta Barbara, ora pro nobis [6'23]
  • 12 Movement 29: Ave maris stella [7'22]
  • The Sixteen - orchestra
  • Harry Christophers - conductor
  • MONTEVERDI
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59.00 PLN

2 CD:

Nr kat.: CDD22028
Label  : Hyperion

This recording of Monteverdi's Vespers presents the work as it was probably first heard at the Court of the Duke of Mantua. It contains many extra chants, a motet by Palestrina, and some instrumental sonatas, possibly by Amigone.