Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MONTECLAIR, Gabriele Cassone, Milena Frige, Ensemble Pian and Forte
A la guerre!
ZamknijGaleria okładek
- Cinquieme Concert ”La Guerre”
- - Marche 00’39”
- - Arrivée au champ 01’25”
- - Mélange des trompettes 00’35”
- - Concert sous la tente du General 02’27”
- - Air 01’18”
- - Sarabande 01’14”
- - Fugue (Légèrement) 01’02”
- - Boute-selle 00’55”
- - La Charge 00’24”
- - Le canon et la musqueterie 02’07”
- - Combat des armes blanches 00’41”
- - La mêlée générale 00’33”
- - La Victoire 00’54”
- - La marche pour le retour de l’Armée 01’25”
- Quatrieme Concert
- - La Mélancolique 02’38”
- - La Joyeuse 01’02”
- - Les Ondes 00’45”
- - Les Nayades 01’55”
- - La Ténébreuse 02’08”
- - Sarabande 01’20”
- - Allemande (Gayement) avec Double 02’17”
- - Courante 01’03”
- - I Folette 01’10”
- - II Folette 01’10”
- - Chaconne 02’53”
- - Fugue 01’26”
- Troisieme Concert
- - Ouverture 02’35”
- - I Menuet 00’41”
- - II Menuet 01’30”
- - Pastourelle 01’47”
- - La Bolougnoise 01’17”
- - Musette des Festes de l’Eté 00’41”
- - II Musette 01’00”
- - Menuet 00’40”
- - Villanelle 02’15”
- - Menuet 00’51”
- - Air des Festes de l’Eté 00’35”
- - I Pastourelle des Festes de l’Eté 00’35”
- - II Pastourelle des Festes de l’Eté 00’53”
- - Sarabande des Festes de l’Eté 00’57”
- - Sarabande nouvelle 00’44”
- - Marche des Bergers des Festes de l’Eté 01’56”
- - Rigaudon des Festes de l’Eté 00’44”
- - Contredance des Festes de l’Eté 00’50”
- - La Champenoise des Festes de l’Eté 00’45”
- - La Chasse des Festes de l’Eté 01’12”
- Sixieme Concert ”La Paix”
- - Rondeau 01’14”
- - Mélange des Fifres et Tambours 01’06”
- - Nopce de Village ”La Serenade” 00’51”
- - Légèrement 01’07”
- - Air en Rondeu (Gay) 00’55”
- - Air par imitation (Lentement) 01’39”
- - Branle en Rondeau 01’13”
- - Sommeil (Gratieusement) 02’00”
- - Le Réveil Matin (Rondeau) 01’24”
- - Carillon du Moutier 02’08”
- - Marche des Mariés au Moutier (Gay) 01’02”
- - Le Retour du Moutier (Plus Gay) 00’59”
- - Menuet des Mariés 00’37”
- - I Pastourelle 00’40”
- - II Pastourelle 01’06”
- - Gavotte 00’46”
- - Musette 01’16”
- - Contredance 00’36”
- Gabriele Cassone - trumpet
- Milena Frige - harpsichords
- Ensemble Pian and Forte - orchestra
- MONTECLAIR
39.00 PLN
CD:
Nr kat.: DM8004Label : Dynamic (Italia)
For Michel Pignolet de Montéclair, like for most French composers of his day, life took a turn for the better the day he left his native town and moved to Paris. In the capital he found employment as a music teacher for the Prince of Vaudémont, who took him along on a trip to Italy; there Montéclair perfected his study of the double bass, an instrument in which he was quite proficient, becoming, once back in Paris, a member of the orchestra of the Opéra. Montéclair died on 22 November 1737. He has left us a considerable number of compositions, both vocal and instrumental; among them, and the six Concerts pour la flute traversière avec la basse chifrée, published in 1724/25, which include the four Concerts featured on this CD. It ought to be said that the term Concert had for Montéclair a different meaning than it would have for an Italian (or a German) composer of his day; in this connotation, though, we frequently find it used by 17th- and 18th-century French composers. The Concerts pour la flute traversière avec la basse chifrée, as its title specifies, consists of six concertos for German (transverse) flute, the instrument that was then beginning to oust the recorder from the favours of amateur musicians. They are ample collections of pieces that are often very different in character from one another.