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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Miles Davis
Dig - Sonny Rollins, Art Blakey
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49.00 PLN
CD (digi):
Nr kat.: OJC200052Label : ZYX-Music
Miles Davis' third Prestige session of 1951 is notable for the presence of two youngsters who'd mature into identifiable voices on their instruments: 21-year-old tenor saxophonist Sonny Rollins and 19-year-old alto saxophonist Jackie McLean. The spirit of their idol Charlie Parker seems to hover over the proceedings (in fact, Bird was a visitor at the date). DIG opens with the shifting canvas of George Shearing's "Conception," which, as jazz historian Dan Morgenstern points out, bears the mark of Miles' group conception on BIRTH OF THE COOL. Davis sets the pace with vigorous, dancing lines--an imposing statement with which to inaugurate a session when you're just getting your chops together. Elsewhere, the contrasting medium tempos of "Out Of The Blue" and "It's Only A Paper Moon" inspire Miles' most direct melodic statements, full of expressive smears and rhythmic variations. Art Blakey and pianist Walter Bishop, Jr. fervently feed each soloist on "Denial" as if their lives depend on it, and the relaxation and harmonic flow of Miles' lines are remarkable considering the tempo. Keyed by Bishop's taciturn opening chorus, the trumpeter's "Bluing" is a perfect illustration of his lyric feel for traditional blues materials, and by the time this take was cut his tone had ripened into something more akin to voice than horn. Rollins ups the rhythmic ante, and McLean responds with his most soulful solo of the date. But it's the title tune, with its steeplechase line, stop time breaks and epic drive, that will inspire the most return visits. Each soloist shines, but Miles' behind-the-beat game of cat and mouse with Blakey is a gem.
