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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
MEYERBEER, Patrizia Ciofi
Il Crociato in Egitto
ZamknijGaleria okładek
- DISC 1
- 1 Opening
- 2 Introduzione molto moderato
- 3 Patria amata (Chorus)
- 4 I doni di Elmireno (Palmide)
- 5 Urridi vezzose (Chorus)
- 6 E Palmide! Ella sola... (Armando)
- 7 Vedi il legno (Chorus)
- 8 Tutto intorno tace (Adriano)
- 9 D’Armando D’Orville (Felicia, Palmide)
- 10 Invitto, illustre (Aladino, tutti)
- DISC 2
- 11 Ove incauta m’inoltro? (Felicia)
- 12 O solinghi recessi (Palmide)
- 13 Ma ciel s’ei mai perì (Palmide)
- 14 O Cielo clemente (Armando, Palmide, Felicia, Adriano)
- 15 Tutto è finito (Adriano)
- 16 O tu divina fè (Armando)
- 17 Ah! Che fate! (Armando)
- Patrizia Ciofi - soprano
- MEYERBEER
Meyerbeer composed Il Crociato in just over one year, between September 1822 and the following autumn, at the end of the German composer’s so-called ”Italian period”. Although this is an opera of great dramatic and musical complexity its première was highly successful with both audience and critics, one commentator accurately describing it as ”a building of highlyapplauded construction”. The plot, so rich in events, skilfully weaves historical-religious elements with private happenings and feelings. Against the background of the interreligious conflict between Christians and Muslims, the story of the main characters unfolds in an efficacious alternation of grand choral scenes and solo numbers with arias and cabalettas. Il Crociato in Egitto was Meyerbeer’s last and greatest Italian success and the opera that made his name on the international scene; it was also the first of Meyerbeer’s grand operas to fall into disgrace. This La Fenice production, directed by Pier Luigi Pizzi, is the first in modern times and has Patrizia Ciofi (Palmide) and the male soprano Michael Maniaci (Armando D’Orville) in the main roles.