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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MENDELSSOHN, BRUCH, Alfredo Campoli, Sir Adrian Boult, London Philharmonic Orchestra
Violin Concerto / Scottish Fantasia
Side A:
Felix Mendelssohn (1809 - 1847)
Violin Concerto In E Minor, Op. 64
1. Allegro Molto Appassionato
2. Andante
3. Allegro Molto Vivace
Side B:
Max Bruch (1838 - 1920)
Scottish Fantasia, Op. 46
1. Adagio Cantabile
2. Allegro
3. Andante Sostenuto
4. Allegro Guerriero
- Alfredo Campoli - violin
- Sir Adrian Boult - conductor
- London Philharmonic Orchestra - orchestra
- MENDELSSOHN
- BRUCH
Artystycznie i audiofilsko - referencyjna!
"Campoli plays most beautifully - the finale, in particula, is accurate and brillant in the xtreme.. Campoli's sweet-toned account of the Mendelssohn has given pleasure for many years. His lyrical feeling in the slow movement and his virtuosity in the finale are as self-evident as is the excellence of the accompaniment under Sir Adrian Boult. There are many felicitous ouches and the disincguished soloist plays magnifiently throughout. His account of the Brunch Scottish Fantasia is no less fine, and he recorded sound is amazingly fresh" - The Gramophone Magazine
