Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MENDELSSOHN, Lorin Maazel, Berliner Philharmoniker
Sinfonie Nr. 4 - Italian / Sinfonie Nr. 5 - Reformation
<<< Mendelssohn’s Symphonies nos. 4 and 5 were composed within a short period of time and the highly individual form of the movements are proof positive of the young genius’s never-ending source of ideas. The sparkling first movement of the Fourth Symphony with its jubilant theme and the wild, thrilling Saltarello finale bear witness to an exuberant zest for life, such as Mendelssohn must have experienced it on his visit to Italy. As a contrast, the melancholic Andante is reminiscent of Beethoven’s expressive depth, while the following minuet-like movement with its horns conjures up a feeling of romantic German hunting scene in the forest. The Fifth Symphony is homogeneous throughout in that it is full of religious dignity with its opening canon, melodic writing which reminds one of liturgical ceremonies , the famous “Dresden Amen”, which Richard Wagner copied using Mendelssohn’s harmonisation for the “gral motif” in his opera "Parsifal", and the rich and fully worked out final chorale “Ein feste Burg”. Quite opposite to the uniqueness of these masterpieces is the enormous selection of other recordings of these works – but Maazel’s youthful vigour and freshness, close attention to detail in his interpretation, and colourful timbre make the choice simple.
