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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MENDELSSOHN, John Ogdon, The London Symphony Orchestra, Aldo Ceccato
Piano Concertos Nos. 1 and 2
- 1. Piano Concerto No. 1 in G minor, Op. 25 (20:34)
- 2. Piano Concerto No. 2 in D minor, Op. 40 (26:14)
- 3. Rondo brillant, for piano & orchestra in E flat major, Op. 29 (9:36)
- 4. The Holy Boy, prelude for piano (from Preludes (4)) (4:03)
- 5. April, for piano (from "Pieces (2) (1925)") (3:42)
- 6. Lotus Land for piano, Op. 47/1 (W 183) (4:15)
- 7. Danse Negre, for piano, Op. 58/5 (W 89) (2:00)
- John Ogdon - piano
- The London Symphony Orchestra - orchestra
- Aldo Ceccato - conductor
- MENDELSSOHN
Collectors in the early 1970s could count on John Ogdon's Mendelssohn concertos as plausible supplements to Rudolf Serkin's fiery reference versions--his fingers still commanded all the sparkle and sensitivity these works demand. For instance, his rapid chord playing in the finales boasts exceptional control of voicing, while the D minor's lyrical central movement, if somewhat sober next to more malleable treatments from András Schiff, Stephen Hough, and Jean-Yves Thibaudet, is spun out in sustained arcs. The London Symphony plays well for Aldo Ceccato but lacks both the breathtaking textural diversity Herbert Blomstedt inspires from the Leipzig Gewandhaus Orchestra (accompanying Thibaudet) and the opulent yet incisive strings exemplified by the Philadelphia Orchestra under Eugene Ormandy. The Rondo Brilliante is a shade foursquare and earthbound: it could have benefited from the scintillation and drive that distinguishes Serkin's recording. Lastly, Ogdon plays the John Ireland and Cyril Scott fillers as though he's sight-reading them to perfection while keeping emotional distance from their sexy harmonic language and wistful atmosphere. While Ogdon fans will be pleased to hear these Mendelssohn concertos, the aforementioned Schiff, Hough, and Thibaudet versions match, often surpass, and sonically supercede this release. [7/9/2003] (Jed Distler, ClassicsToday.com)