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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
MENDELSSOHN, English String Orchestra, William Boughton
Complete String Symphonies Volume 2
ZamknijGaleria okładek
- English String Orchestra - orchestra
- William Boughton - conductor
- MENDELSSOHN
Strange to say these works, written between the ages of twelve and fourteen and effectively a creative diary of Mendelssohn’s early artistic development, remained unpublished and virtually unknown until the early 1970’s, when they were belatedly issued under the editorship of Helmuth Christian Wolff. For this century and a half of apparently shameful neglect, the composer himself is largely to be blamed. Haunted by the phantom of his unparalleled precocity (not even Mozart accomplished so much so early), Mendelssohn was eager to suppress those works which he regarded as belonging to his apprenticeship, and studiously avoided all reference to them in the years of his maturity. "The English String Orchestra play these works in lively fashion ... as the music grows in quality so do Boughton and his orchestra seem to respond with playing of greater sensitivity and warmth ..." Alan Sanders