Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Marc Antoine
Mediterraneo
ZamknijGaleria okładek
- Marc Antoine - guitar
69.00 PLN
CD:
Nr kat.: REN51012Label : Rendezvous
Guitarist and composer Marc Antoine is like Ottmar Liebert with teeth. He's an amazingly gifted guitarist who plays in flamenco and Latin jazz styles with equal grace and aplomb, and his recordings are slick, sweet, and lean heavily on the smooth jazz tip. That said, on Mediterraneo, his seventh album, there is some real fire in both material and playing. Like Oscar Lopez, Antoine goes for the heart of a particular piece of music in his soloing, and when he finds it, despite the arrangement, production, or textured ambience, he doesn't let go; he wrestles with it until it gives up every ounce of emotion and meaning it can muster. The title cut, with its gloriously languid drum program and Antoine's transcendent melody that comes across as a stunningly moving chanted prayer, is overwhelming in its melodic invention. On the opener, "Cubanova," a son rhythm track crosses a samba and Antoine's extended chord voicings create a tough yet airy backdrop for his in-the-pocket soloing. Keyboards by Frederic Gaillardet offer a washed soundscape that is reminiscent of piercing blue skies and sanguine ocean waves. The laid-back funky "Afromenco" illustrates the best of both genres. The biggest surprise on the set is the cover of Everything But the Girl's "Lady," with Samantha Murphy on vocals. He captures the innocence of the original while moving the entire cut over a continent or two and making it a souled-out Cuban-Brazilian ode. Ultimately, Mediterraneo is Antoine's finest moment to date, and is indicative of the kinds of changes he's moving toward as his grasp of his chosen musical vocabularies grows and expounds on that knowledge.
