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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
MAHLER, Lucia Popp, Andreas Schmidt, Leonard Bernstein, Concertgebouworkestr
Des kanben wunderhorn
- Lucia Popp - soprano
- Andreas Schmidt - baritone
- Leonard Bernstein - conductor
- Concertgebouworkestr - orchestra
- MAHLER
179.00 PLN
LP-180G 33rpm:
Nr kat.: LP43017Label : Analogphonic
This is Bernstein's third recording of songs from Des Knaben Wunderhorn if you count his rather erratic live piano and voices account recorded in New York in 1968 (CBS—nla). In many ways, it is his best integrated, steadiest, and most mature reading, with tempos now noticeably reined back in ''Reveille'' and in ''Rhinlegendchen'', a song that Lucia Popp sings with idiomatic flair and less mannerism than Schwarzkopf for Szell on EMI. You may not think that sober-suited maturity is necessarily a virtue in these songs of young love and mortality but this is to reckon without the intricacy of the writing and the craftsmanship that has gone into the making of these songs. For the most part, they do need singing of the finest pedigree and performances of exceptional musical discipline.
