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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Mahalia Jackson
Newport 1958
- Mahalia Jackson - vocal
Mahalia Jackson's deep soulfulness, the passion of her Christian conviction and a belief in the power of her music led her to breakthrough in the U.S. where she appeared at Carnegie Hall and took her to Europe where she performed at the Vatican. It did not, however, though many had wished it so, lead her to jazz, blues and rock ?n? roll. The public?s wide acceptance of her music proved her right in pursuing her own spiritual path first and foremost, although some critical listeners claimed to have spotted commercial undertones in her inimitable, highly expressive singing. This live recording from the Newport Festival from 1958 cannot be accused of having been made for commercial reasons because it by no means reflects the common cliches of gospel singing. There is no rhythm group, no chorus and no clapping of hands so no sound is left unheard here. Mahalia?s soft, raucous voice retains its volume and warmth in moments of drama as well as in whispered passages. In this performance she is accompanied only by a piano or occasionally a Hammond organ with a cloud of chords. This is a pure, authentic musical experience that is free of style and trends, making it all the more meaningful and rare all these years later. Hear it in all its sonic glory here on this 180g Import LP!
