Logowanie
Dlaczego wszystkjie inne nie brzmią tak jak te?
Chai Lang, Fan Tao, Broadcasting Chinese Orchestra
Illusive Butterfly
Butterly - motyl - to sekret i tajemnica muzyki chińskiej.
Brzmią jak sen na jawie
Winylowy niezbędnik
ClearAudio
Cartridge Alignment Gauge - uniwersalny przyrząd do ustawiania geometrii wkładki i ramienia
Jedyny na rynku, tak wszechstronny i właściwy do każdego typu gramofonu!
ClearAudio
Harmo-nicer - nie tylko mata gramofonowa
Najlepsze rozwiązania leżą tuż obok
IDEALNA MATA ANTYPOŚLIZGOWA I ANTYWIBRACYJNA.
Leopold Godowsky
The Complete Leopold Godowsky vol. 3
Galeria okładek
ZamknijGaleria okładek
CD 1 (79:38)
BRUNSWICK RECORDINGS, 1925–1926
CHOPIN:
1. Polonaise in A-flat, op. 53 [abridged] 4:41
2 October 1925; (XE16482) 50075
SCHUBERT-TAUSIG:
2. Marche Militaire No. 1 4:18
7 October 1925; (XE16547) 50078
RACHMANINOFF:
3. Prelude in C-sharp Minor, op. 3, no. 2 3:03
September 1926; (E20014) 15123
SINDING:
4. Rustles of Spring, op. 32, no. 3 2:33
3 September 1926; (E20026) 15125
CHAMINADE:
5. Scarf Dance, op. 37 [abridged] 1:42
6. The Flatterer, op. 50 2:15
3 September 1926; (XE20028) 50101
MACDOWELL:
7. Witches’ Dance, op. 17, no. 2 2:55
3 September 1926; (E20030) 15125
RUBINSTEIN:
8. Melody in F, op. 3, no. 1 3:17
3 September 1926; (E20032) 15124
CHOPIN:
9. Waltz in C-sharp Minor, op. 64, no. 2 3:08
3 September 1926; (E20034); 15124
MENDELSSOHN:
10. Andante and Rondo Capriccioso, op. 14 5:40
4 September 1926; (XE20045) 50131
VERDI-LISZT:
11. Rigoletto Paraphrase [abridged] 5:38
4 September 1926; (XE20048) 50131
TCHAIKOVSKY:
12. June (Barcarolle), op. 37, no. 6 4:15
7 September 1926; (XE20060) 50101
CHOPIN:
13. Etude in G-flat, op. 10, no. 5, “Black Keys” 1:47
14. Etude in G-flat, op. 25, no. 9, “Butterfly” 1:05
10 September 1926; (E20080) 15123
SCHUBERT-GODOWSKY:
15. Morgengruss (Morning Greeting), from “Die schöne Müllerin” 4:33
11 September 1926; (XE20092) 50133
16. Gute Nacht (Good Night), from “Winterreise” 4:46
11 September 1926; (XE20095) 50133
ENGLISH COLUMBIA RECORDINGS, 1928–1930
SCHUMANN:
Carnaval, op. 9
17. Préambule 2:19
18. Pierrot 0:58
19. Arlequin 0:43
20. Valse noble 1:01
21. Eusebius 1:46
22. Florestan 0:49
23. Coquette 1:05
24. Réplique 0:45
25. Papillons 0:44
26. A.S.C.H. – S.C.H.A. “Lettres dansantes” 0:35
27. Chiarina 1:06
28. Chopin 0:58
29. Estrella 0:22
30. Reconnaissance 1:48
31. Pantalon et Columbine 0:58
32. Valse allemande 0:52
33. Paganini 1:08
34. Aveu 0:30
35. Promenade 1:30
36. Pause 0:16
37. Marche des “Davidsbündler” contre les Philistins 3:33
28 and 29 May 1929; (WAX 4967-3, 4968-2, 4969-2, 4970-2, 4975-2, 4976-2) LX 32-34
CD 2 (74:02)
ENGLISH COLUMBIA RECORDINGS, 1928–1930
CHOPIN:
1. Nocturne in B-flat Minor, op. 9, no. 1 4:10
23 June 1928; (WAX 3807-4) L 2165
2. Nocturne in E-flat, op. 9, no. 2 3:56
23 June 1928; (WAX 3808-6) L 2164
3. Nocturne in F, op. 15, no. 1 3:50
23 June 1928; (WAX 3811-4) L 2169
4. Nocturne in F-sharp, op. 15, no. 2 3:20
23 June 1928; (WAX 3812-4) L 2169
5. Nocturne in C-sharp Minor, op. 27, no. 1 4:31
23 June 1928; (WAX 3813-4) L 2170
6. Nocturne in D-flat, op. 27, no. 2 5:32
23 and 26 June 1928; (WAX 3830-3 and 3831-4) L 2171
7. Nocturne in B, op. 32, no. 1 3:43
23 June 1928; (WAX 3814-6) L 2167
8. Nocturne in G Minor, op. 37, no. 1 4:08
20 and 23 June 1928; (WAX 3815-6) L 2168
9. Nocturne in G, op. 37, no. 2 6:20
20 and 23 June 1928; (WAX 3809-1 and 3810-6) L 2166
10. Nocturne in F-sharp Minor, op. 48, no. 2 4:22
22 June 1928; (WAX 3827-4) L 2170
11. Nocturne in F Minor, op. 55, no. 1 4:13
23 June 1928; (WAX 3829-2) L 2167
12. Nocturne in E Minor, op. 72, no. 1 3:47
23 June 1928; (WAX 3828-3) L 2165
Sonata No. 2 in B-flat Minor, op. 35
13. Grave – Doppio movimento 7:29
14. Scherzo – Piu lento – Tempo I 6:28
15. Marche funebre: Lento 6:34
16. Finale: Presto 1:34
25 April 1930; (WAX 5549-2, 5550-1, 5551-2, 5552-2, 5553-3, 5554-2) LX 124-126
CD 3 (77:28)
ENGLISH COLUMBIA RECORDINGS, 1928–1930
GRIEG:
1. Ballade in G Minor, op. 24 (Variations on a Norwegian folk melody) 17:01
27 May 1929; (WAX 4963-2, 4964-3, 4965-3, 4966-1) LX 9-10
BEETHOVEN:
Sonata No. 26 in E-flat, op. 81a, “Lebewohl”
2. Adagio - Allegro 7:17
3. Andante espressivo 4:06
4. Vivacissimamente 4:22
31 May 1929; (WAX 4985-2, 4986-1, 4987-1, 4988-2) L 2354-2355
CHOPIN:
5. Scherzo No. 4 in E, op. 54 8:56
17 June 1930; unissued matrices WAX 5624-? and 5625-1
PRIVATE RECORDING, ca. 1935
GODOWSKY:
6. The Gardens of Buitenzorg, from “Java Suite” 3:14
APPENDIX ONE: ALTERNATIVE TAKES
CHOPIN:
7. Berceuse in D-flat, op. 57 4:40
10 April 1913; (36700-1) A 5597
8. Berceuse in D-flat, op. 57 4:27
10 April 1913; (36700-2) A 5597
SCHUBERT-GODOWSKY:
9. Morgengruss (Morning Greeting), from “Die schöne Müllerin” 4:13
11 September 1926; (XE 20093) 50133
APPENDIX TWO: GODOWSKY COMPOSITIONS ON
CONTEMPORANEOUS EARLY RECORDINGS
CHOPIN-GODOWSKY:
10. Study No. 15 (on Etude, op. 10, no. 7) 3:27
11. Study No. 47 (“Badinage,” Etudes op. 10, no. 5 and op. 25, no. 9 combined)
David Saperton, pianist 1:29
23 June 1940; unissued Victor matrix 051355-1
CHOPIN:
12. Etude in G-flat, op. 25, no. 9, “Butterfly” 0:57
CHOPIN-GODOWSKY:
13. Study no. 39 (on Etude, op. 25, no. 9)
Victor Schiøler, pianist 1:07
1929; (A9435) Columbia 2262D
ALBENIZ-GODOWSKY:
14. Tango in D, op. 165, no. 2
Wilhelm Backhaus, pianist 2:48
June 1928; (Bb 13829-2) HMV DA 1018
SCHUBERT-GODOWSKY:
15. Moment Musical, op. 94, no. 3
Lev Pouishnoff, pianist 2:01
1927; (A5393) Columbia 4830
RAMEAU-GODOWSKY:
16. Tambourin
Shura Cherkassky, pianist 3:00
26 June 1925; Victor 45508
LOEILLET-GODOWSKY:
17. Gigue
Emil Gilels, pianist 2:07
1935; USSR 524
GODOWSKY:
18. Alt Wien (Old Vienna) from Triakontameron
Isabelle Yalkovsky, pianist 2:08
1929; Victor 4115
- Leopold Godowsky - piano
Leopold Godowsky (1870–1938) was one of the great geniuses in the history of piano, earning the highest esteem as both performer and composer. Virtually self-taught, he concertized all over the world until felled by a stroke during a London recording session in 1930. Godowsky was praised for his effortless technique and the remarkable tonal subtlety of his playing. Godowsky’s recorded legacy extends from 1913 to 1930 and includes discs made for both American and British Columbia as well as for Brunswick. Marston is proud to announce the third and final volume of this series.