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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Kenny Burrell, John Coltrane, Tommy Flanagan, Paul Chambers, Jimmy Cobb
Kenny Burrell and John Coltrane
- Kenny Burrell, John Coltrane - Kenny Burrell & John Coltrane
- 01. Freight Trane (7:24)
- 02. Never Knew (7:08)
- 03. Lyresto (5:45)
- 04. Why Was I Born (3:17)
- 05. Big Paul (14:05)
- Kenny Burrell - guitar
- John Coltrane - alto saxophone
- Tommy Flanagan - piano
- Paul Chambers - double bass
- Jimmy Cobb - drums
119.00 PLN
SHM-CD:
Nr kat.: UCCO5521Label : UNIVERSAL (Japan)
One of those rare combinations that occur only in the recording studio happened between John Coltrane and Kenny Burrell in 1958. The rhythm team of Paul Chambers and Jimmy Cobb, who were with the Miles Davis quintet, was enhanced by the suave, swinging piano of Tommy Flanagan, at that time solidifying his growing reputation on the New York scene. This is the one-time chemistry of Burrell and Coltrane, the blend of guitar and tenor saxophone in a mix of originals and standards; one of the latter, “Why Was I Born,” is a duet for the two principals.
 Płyty SHM-CD do odtworzenia we wszystkich typach czytników CD oraz DVD. Gwarantują niespotykaną wcześniej analogową jakość brzmienia, odwzorowują wszystkie walory taśmy-matki. Zdaniem specjalistów - ten nośnik i ta technologia najlepiej - bo natywnie, przenosi na krążek CD wszystkie walory nagrania analogowego. |
