Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Julinho (Julio Barbosa)
O Som do Julinho
- 01 CAROLINA 3:13 >>> Posłuchaj fragmentu <<<
- 02 SAMBA EM TRES TEMPOS 2:11 >>> Posłuchaj fragmentu <<<
- 03 E NADA MAIS 2:36 >>> Posłuchaj fragmentu <<<
- 04 RODA VIVA 2:01 >>> Posłuchaj fragmentu <<<
- 05 CAMINHANDO 2:35 >>> Posłuchaj fragmentu <<<
- 06 TRAVESSIA 3:29 >>> Posłuchaj fragmentu <<<
- 07 APENAS AMIGOS 3:19
- 08 TEMA PRO GAGUINHO 2:26
- 09 MENINA FLOR 1:58
- 10 TEMA PRA UM AMIGO 2:21
- Julinho (Julio Barbosa) - trumpet
Trumpeter's Groovy brasilian jazz 7tet feat. Oberdan, Neco! julio barbossa! Despite the prevalence of scores of great improvising musicians in Brazil in the 1960s, few chose to play jazz. Most were caught up in the national fervour that was bossa nova and with so many great new tunes being written by the new young composers, there was little room for more than a nod towards straight ahead american jazz. Every rule has its exception, of course, and instrumentalists such as Paulo Moura and Edison Machado recorded brazilian jazz – jazz that just happened to come from Brazil. Another such artist was the trumpeter Julio ‘Julinho’ Barbosa who was part of a group of young players who would break from the norm of playing for dancing and jam their own forms of jazz at late night bars in Rio, Săo Paulo and other cities across Brazil. The fact that the public wasn’t really there for this jazz left some of the musicians bitter (witness the liner notes to Paulo Moura Hepteto’s ‘Fibra’ – also out on whatmusic.com), chastising their own countrymen without recognising that by the late 60s jazz had retreated to small niches all over the world and that pop and rock music had truly taken over. More evidence, if it were needed, is that at the end of the single day that Julio Barbosa had to record this album, he left for Europe, never to return to live in Brazil.
