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Jerry Roll Morton

The Library of Congress Recordings

1166918972

1166918972

Jelly Roll Morton - The Library of Congress Recordings 01. I'm Alabama Bound (4:06) 02. King Porter Stomp (4:08) 03. Jelly Roll's Background (2:23) 04. Mr. Jelly Lord (4:11) 05. Stomping Grounds (2:36) 06. Anamule Dance, The (3:48) 07. Tiger Rag / Panama (4:03) 08. Right Tempo Is the Accurate Tempo, The (4:41) 09. Maple Leaf Rag (3:35) 10. Jazz Discords And Story Of Kansas City Stomp / Kansas City Stomp (4:25) 11. Kansas City Stomp (3:19) 12. Wolverine Blues, Concluded (4:03) 13. Spanish Tinge, The (4:17) 14. Crave, The (4:35) 15. Sporting Attire and Shooting the Agate (4:34) 16. Funeral Marches (4:14) 17. How Jelly Roll Got His Name (4:14)
  • Jerry Roll Morton - piano
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44.00 PLN

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Nr kat.: 1166918972
Label  : Rounder

Ferdinand "Jelly Roll" Morton called himself the "originator of jazz, stomps and swing." In 1938, at a low point in his career, he recorded a series of interviews and performances with the folklorist Alan Lomax. Now those recordings have been released in a new box set from Rounder Records called Jelly Roll Morton: The Complete Library of Congress Recordings. It is believed Morton was born in Gulfport, Miss., in 1885. His family moved to New Orleans shortly afterwards. By 1904 he was so well known as a pianist that he began to travel the country performing. By the late 1930s Morton's career was waning. That's when Library of Congress folklorist Alan Lomax found him at the Jungle Inn, one of the few clubs in Washington, D.C., that welcomed both white and black patrons. Lomax was concentrating on recording the sounds of American folk music. He thought America's regional music was under threat of extinction from popular music like jazz. But Lomax found Jelly Roll Morton an eloquent and compelling talent. He couldn't resist recording the jazz great's oral history. Morton prepared well for the interviews. The result was nine hours of recordings that now fill seven CDs in the Rounder set. They capture the jazz raconteur spinning tales and playing music at his own pace. "As I listened to it, I realized that this man spoke the English language in a more beautiful way than anybody I'd ever heard. He had a totally original style," Lomax recounts in the box set's liner notes. "A gravel voice melting at the edges, not talking, each sentence bowling along like a line from the blues, like an eddy of a big sleepy Southern river, weaving a legend…"