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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
James Taylor
Walking man
169.00 PLN
GOLD HDCD:
Nr kat.: AFZ109Label : Audio Fidelity
AllMusic Review by William Ruhlmann One Man Dog drastically lowered expectations for a new James Taylor album, and those expectations were almost met by Walking Man, a more considered effort than its predecessor that managed to be just as trivial but even less interesting. As a result, it became the worst-selling album of Taylor's career. Somehow, a songwriter who had seemed in 1970 to have as precise an idea of the national mood as Bob Dylan had had in 1965 now seemed to be a man without a country. Earlier in the year, Taylor had hit the Top 5 with a cover of "Mockingbird" sung with his wife, Carly Simon, but this record lacked even the charming inconsequentiality of that performance, something Taylor would regain and live off of in later years. Instead, Walking Man, which began with Taylor asking, "Who is this walking man?" and ended with him commenting, "It's really not so bad to be fading away," sounded like the statement of a songwriter who either had nothing to say or didn't know how to say it.
