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Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
HEROLD, LANCHBERY, John Lanchbery, Royal Opera House, Covent Garden
La Fille Mal Gardee
- John Lanchbery - conductor
- Royal Opera House, Covent Garden - orchestra
- HEROLD
- LANCHBERY
Jednoz najbardziej referencyjnych nagrań w dziejach fonografii
Frederick Ashton's Royal Ballet production began in 1959 when Ashton, the British dancer and choreographer, created a new version of La fille mal gardée for the Royal Ballet of London. John Lanchbery was an English conductor and composer famous for his ballet arrangements, especially those for The Royal Ballet. Lanchbery was principal conductor with The Royal Ballet for 13 years starting in 1959. Undoubtedly, Lanchbery's most celebrated recording — in both a highlights and later a complete form — is of his music for Ashton's La Fille mal gardée. The French composer Hérold usually takes all the credit, but Lanchbery's selection is far more elaborate than that attribution might suggest. Herold was a French opera composer, now best known for the delightful ballet score for La Fille mal gardée (1828). Born just over a year before Rossini, he did much to make ballet music more important in its own right; at the time it was the norm to to make ballet scores entirely out of existing opera melodies and popular tunes. Louis Joseph Ferdinand Hérold, to give him his full name, is only one of at least half a dozen composers whose music went towards giving La fille mal gardée as we know it today its special flavor. The performance here is brilliantly played, displaying both affection and sparkle in ample quantity.
