Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
HANDEL, Mark Minkowski
Le Messie - Un film de William Klein
- 1. Part I : Sinfony
- 2. Part I : Accompagnato (Tenor) : Comfort Ye My People
- 3. Part I : Aria (Tenor) : Ev'ry Valley Shall Be Exalted
- 4. Part I : Chorus : And The Glory Of The Lord
- 5. Part I : Aria (Alto) : But Who May Abide The Day Of His Coming
- 6. Part I : Chorus : And He Shall Purify The Sons Of Levi
- 7. Part I : Aria (Soprano) : Rejoice Greatly, O Daughter Of Sion
- 8. Part I : Recitativo (Alto) : Then Shall The Eyes Of The Blind Be Open'd
- 9. Part I : Duetto (Alto, Soprano) : He Shall Feed His Flock Like A Shepherd
- 10. Part I : Chorus : His Yoke Is Easy, His Burthen Is Light
- 11. Part Ii : Chorus : Behold The Lamb Of God
- 12. Part Ii : Aria (Alto) : He Was Despised And Rejected
- 13. Part Ii : Chorus : Surely He Hath Borne Our Griefs-Chorus...
- 14. Part Ii : Aria (Bass) : Why Do The Nations So Furiously Rage
- 15. Part Ii : Chorus : Let Us Break Their Bonds Asunder
- 16. Part Ii : Recitativo (Tenor) : He That Dwelleth In Heaven-Aria (Tenor)...
- 17. Part Ii : Chorus : Hallelujah
- 18. Part Iii : Aria (Soprano) : I Know That My Redeemer Liveth
- 19. Part Iii : Accompagnato (Bass) : Behold, I Tell You A Mystery
- 20. Part Iii : Aria (Bass) : The Trumpet Shall Sound
- 21. Part Iii : Chorus : Worthy Is The Lamb That Was Slain-Chorus : Amen
- Mark Minkowski - conductor
- HANDEL
59.00 PLN
CD:
Nr kat.: 4596152Label : Deutsche Grammophon
Ścieżka dźwiękowa z filmu Williama Kleina. Fragmenty oratorium Mesjasz w wykonaniu Les Musiciens du Louvre, pod dyrekcją Marka Minkowskiego