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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Glenn Miller, Louis Armstrong, Duke Ellington, Coleman Hawkins
Jazz Greatest Hits
- Glenn Miller - trombone
- Louis Armstrong - trumpet
- Duke Ellington - piano
- Coleman Hawkins - tenor saxophone
34.00 PLN
CD:
Nr kat.: 74321696482Label : BMG
I find the sight of a young singer pretending to be Frank Sinatra or Peggy Lee and singing yet another version of "Night and Day" rather depressing. This obviously bothers Claire Martin too, because in recent years she has set out to find repertoire that is more relevant to her own life and experiences. In this (and her previous CD) she has really put herself out on a limb, experimenting with contemporary songs from the worlds of pop and rock and using her jazz sensibilities to colour them. Of course it doesn't always work, but that happens when you take risks and she has to be applauded for doing so. The most successful track is her re-working of Jimi Hendrix's "Up From The Skies" in which her voice smoulders and snarls and will leave any red-blooded male feeling weak at the knees. Classic CD.