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Crosby, Stills & Nash
Crosby, Stills & Nash

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BEETHOVEN, Wojciech Rajski, Polish Chamber Piharmonic Orchestra
Symphony No. 7 in A major op. 92

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True Ballads

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On million dollar strings

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The Electric Light Orchestra
Eldorado

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Lils Mackintosh
A Tribute to Billie Holiday

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Carmina Burana

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Tangos del Ángel y del Diablo

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GALUPPI, Ensemble Il Falcone

Concerti A Quattro

Galeria okładek

ZamknijGaleria okładek

Utwory
Wykonawcy
Twórcy

Ensemble Il Falcone - Baldassarre Galuppi: Concerti a Quattro Concerto for 2 violins, viola & cello No. 4 in C minor: Grave - 01. Allegro (7:26) 02. Andante (1:55) Concerto for 2 violins, viola & cello No. 2 in G major: 03. Andante - Allegro (2:24) 04. Andante (2:23) 05. Allegro assai (1:06) 06. Concerto for 2 violins, viola & cello No. 3 in D major (6:21) Concerto for 2 violins, viola & cello No. 1 in G minor: 07. Grave e Sostenuto - Allegro e Spiritoso (4:59) 08. Allegro (3:39) Concerto for 2 violins, viola & cello No. 6 in B flat major: 09. Preludio (Adagio) - Allegro spiritoso (6:44) 10. Allemanda (Allegro) (2:17) Concerto for 2 violins, viola & cello No. 5 in E flat major: 11. Largo (3:11) 12. Allegro - A Tempo (4:30) Concerto for 2 violins, viola & cello No. 7 in A major: 13. Largo (3:46) 14. Allegro (4:15) 15. Andante (3:13)

Ensemble Il Falcone - orchestra

GALUPPI

59.00 PLN

CD:

Nr kat.: CDS519
Label : Dynamic (Italia)

Composed, from what musicologists have been able to ascertain, around 1740, Galuppi’s Concerti a quattro are an organic collection with a uniform style, characterised by fine contrapuntal writing - a heritage of sacred music - and pleasant melodic lines - derived from the operatic tradition. These seven concertos are noteworthy for the wealth of music ideas and originality in their exposition: although dialogues between parts still make use of the imitative practice typical of ”old” contrapuntal writing, we can already envision in them classical stylistic features and symmetries, blended in with wisdom and creativity. In the reading of the excellent Ensemble Il Falcone, conducted by Fabrizio Cipriani, the use of basso continuo underlines, each time, the work’s ”orchestral” or quartet-like character.