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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
LINN Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Freddie Hubbard, Wayne Shorter, Eric Dolphy, Cedar Walton, Louis Hayes, Philly Joe Jones
The Body And The Soul
- 1. Body And Soul 4:37
- 2. Carnival (Manha De Carnaval) 5:19
- 3. Chocolate Shake 3:56
- 4. Dedicated To You 3:22
- 5. Clarence's Place 3:29
- 6. Aries 3:05
- 7. Skylark 4:32
- 8. I Got It Bad (And That Ain't Good) 3:41
- 9. Thermo 4:15
- Freddie Hubbard - trumpet
- Wayne Shorter - saxophone
- Eric Dolphy - alto saxophone
- Cedar Walton - piano
- Louis Hayes - drums
- Philly Joe Jones - drums
64.00 PLN
CD (digi):
Nr kat.: 0511832Label : Impulse
Freddie Hubbard was 25 when he entered the studio with this fantastic band in 1963. The boss of the Jazzmessengers, Art Blakey (in whose quintet Hubbard followed in the footsteps of such brilliant trumpeters as Clifford Brown and Lee Morgan), had given him a few days off, and Bob Thiele, producer with Impulse, got hold of the very best soloists and wind instrumentalists he could find for him to record with. In particular their performance of such standards as Body And Soul, Skylark and I Got It Bad reveals not only a sensitivity and respect for the melody, but also avantgard phrasing (and still considered so even today!) which is lent emphasis by the restrained accompaniment of the strings. Freddie Hubbards colleague Wayne Shorter is not only leader of the formation but also the arranger. Particularly pleasing is that other soloists such as Eric Dolphy and Cedar Walton are given ample opportunity to display their talents.
The re-release of this album, an album which easily deserves to be called a milestone in jazz history, is long overdue, especially when one recalls that Rudy van Gelder, one of the very best sound engineers, was hired specially for this Impulse recording, thus guaranteeing an absolutely first-class sound quality for the nine titles on this album even after almost 40 years.
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