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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
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GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
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RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
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Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Florence Easton
Absolute Soprano
- CD 1 (76:25)
- 1. LA FORZA DEL DESTINO: Pace, pace, mio Dio (Verdi) 4:46
- Ca. 1918; (1414) Aeolian-Vocalion 54017
- 2. MIGNON: Connais-tu le pays? (Thomas) 3:22
- October 1922; (8825) Brunswick 15030
- 3. FAUST: Il était un roi de Thulé (Gounod) 3:25
- October 1922; (8827) Brunswick 15030
- 4. FAUST: Ah! Je ris de me voir {Jewel Song} (Gounod) 2:23
- May 1921; (5547) Brunswick 10037
- 5. CARMEN: L\'amour est un oiseau rebelle {Habanera} (Bizet) 3:28
- January 1922; (7274) Brunswick 15000
- 6. CARMEN: Je dis que rien ne m\'épouvante {Micaëla\'s Aria} (Bizet) 4:12
- January 1922; (X7275) Brunswick 50012
- 7. HÉRODIADE: Celui dont la parole... Il est doux, il est bon (Massenet) 5:06
- Ca. 1918; (1383) Aeolian-Vocalion 54014
- 8. IL PAGLIACCI: Cual fiamma avea nel guardo! {Ballatella} (Leoncavallo) 4:23
- March 1922; (X7651) Brunswick 50012
- 9. LA BOHÈME: O soave fanciulla (Puccini) 3:27
- with Giulio Crimi, tenor
- Ca. 1918; (1851) Aeolian-Vocalion 50004
- 10. LA BOHÈME: Addio... Donde lieta usci (Puccini) 3:24
- December 1921; (6949) Brunswick 15000
- 11. TOSCA: Vissi d\'arte (Puccini) 3:08
- May 1921; (5506) Brunswick 10044
- 12. MADAMA BUTTERFLY: Un bel dì, vedremo (Puccini) 3:48
- May 1921; (X5505) Brunswick 30013
- 13. MADAMA BUTTERFLY: Con onor muore (Puccini) 2:17
- Ca. 1918; (1215) Aeolian-Vocalion 30018
- 14. GIANNI SCHICCHI: O mio babbino caro (Puccini) 2:27
- Ca. 1918; (1381) Aeolian-Vocalion 30025
- 15. SADKO: Thy heathen gems are rich beyond all measure {Song of India} (Rimsky-Korsakov) 3:25
- February 1922; (7466) Brunswick 15020
- 16. THE SNOW MAIDEN: Said the thunder to the cloud {Song of the Shepherd Lehl} (Rimsky-Korsakov) 3:22
- February 1922; (7432) Brunswick 15020
- 17. El céfiro (Mexican folk song) 3:07
- December 1922; (9369) Brunswick 15038
- 18. Pregúntales a las estrellas (Mexican folk song) 3:16
- December 1922; (9367) Brunswick 15038
- 19. Still wie die Nacht (Böhm) 3:30
- October 1922; (8830) Brunswick 15054
- 20. Three green bonnets (d\'Hardelot) 3:21
- Ca. 1918; (Matrix Unknown) Aeolian-Vocalion 30002
- 21. Sing me to sleep (Greene) 3:20
- 13 June 1924; (13323) Brunswick 15086
- 22. Over the hills (Logan) 3:19
- 12 June 1924; (13308) Brunswick 15076
- CD 2 (78:04)
- 1. LOHENGRIN: Einsam in trüben Tagen {Elsa\'s Dream} (Wagner) 4:40
- 24 October 1928; (N524) unpublished Edison
- 2. TANNHÄUSER: Allmächt\'ge Jungfrau {Elisabeth\'s Prayer} (Wagner) 4:58
- 24 October 1928; (N525) unpublished Edison
- 3. LA TRAVIATA: Parigi, o cara, noi lasceremo (Verdi) 4:03
- with Mario Chamlee, tenor
- 8 October 1928; (XE28459) Brunswick 50157
- 4. HÉRODIADE: Il est doux, il est bon (Massenet) 4:42
- 10 October 1928; (N495) unpublished Edison
- 5. CAVALLERIA RUSTICANA: Voi lo sapete (Mascagni) 3:39
- 3 October 1928; (N478) unpublished Edison
- 6. LA BOHÈME: Sì, mi chiamano Mimì (Puccini) 4:43
- 3 October 1928; (N479) unpublished Edison
- 7. MADAMA BUTTERFLY: Un bel dì, vedremo (Puccini) 4:30
- 10 October 1928; (N496) unpublished Edison
- 8. MLLE. MODISTE: Kiss me again (Herbert) 3:24
- 21 September 1928; (E 28413) Brunswick 15193
- 9. ROSE MARIE: Indian love call (Friml) 3:32
- 21 September 1928; (E 28412) Brunswick 15193
- 10. My laddie (Thayer) 2:31
- 1933; (OB 5562-1) Victor 1705
- 11. My mother bids me bind my hair (Haydn) 3:31
- 1933; (OB 5557-1) Victor 1705
- 12. Songs my mother taught me (Dvorak, no. 4 of Op. 55; "Gypsy Melodies") 2:15
- 1933; (OB 5558-1) IRCC 174
- 13. Ich bin eine Harfe (Wolff) 3:14
- 1933; (OB 5559-1) Victor 1712
- 14. Alle Dinge haben Sprache (Wolff) 2:55
- 1933; (OB 5560-2) Victor 1712
- 15. Hat dich die Liebe berührt (Marx) 2:31
- 1933; (OB 5561-1) IRCC 174
- Excerpts from Juilliard School of Music recital, 13 July 1939:
- 16. Già il sole dal Gange (A. Scarlatti) 1:50
- IRCC 166
- 17. Lungi dal caro bene (Secchi) 2:19
- IRCC 166
- 18. Der Nussbaum (Schumann) 2:35
- IRCC 211
- 19. Widmung (Schumann) 2:07
- IRCC 211
- 20. Auf dem Kirchhofe (Brahms) 2:33
- IRCC 211
- 21. Der Tod, das ist die kühle Nacht (Brahms) 2:51
- IRCC 213
- 22. Ich schwebe (R. Strauss) 1:36
- IRCC 212
- 23. Du meines Herzens Krönelein (R. Strauss) 2:26
- IRCC 212
- Private studio recording 10 February 1940, New York:
- 24. THE LEGEND OF SAINT ELIZABETH: No peace to us is given (Liszt) 4:26
- IRCC 166
- Florence Easton - soprano
129.00 PLN
2 CD:
Nr kat.: MAR52033Label : Marston (USA)
>>> Większa okładka A <<<
Florence Easton (1882-1955) claims a place of honor in the annals of opera. Few sopranos have sung a wider range of repertoire. Only a handful can match her uncompromising musicianship. None surpasses her ability to learn a role and perform it within hours. And yet, although colleagues and critics alike esteemed her artistry, few today rank Easton among the vocal elite. Perhaps she was a singer\'s singer: a consummate professional who one could count on for a faultless performance and yet, remains forgotten. This two-CD set, with notes by Robert Baxter, pays tribute to an indispensable hero of the MET whose artistry deserves remembering.
