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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
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Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Ella Fitzgerald, Joe Williams, Count Basie and His Orchestra
One O'Clock Jump
- Ella Fitzgerald - vocal
- Joe Williams - vocal
- Count Basie and His Orchestra - orchestra
79.00 PLN
CD (digi):
Nr kat.: 5598062Label : Verve
One O'Clock Jump Review by Bruce Eder [-] This recording could be considered a near-sibling to April in Paris, since several of its tracks date from sessions recorded the same month. Others overlap with material cut for The Greatest!! Count Basie Plays, Joe Williams Sings Standards, and aren't as compelling, either as Joe Williams vehicles or Basie showcases. As either of those, though, it does have its moments, most notably the original finale, arranger Ernie Wilkins' "From Coast to Coast," an eight-and-a-half-minute blow-out, the Ella Fitzgerald-Joe Williams duet on "Too Close for Comfort," and the title track, rearranged by Wilkins but close to the classic rendering, which features lively solos by Frank Wess, Benny Powell, Frank Foster, and (especially) Joe Newman and Henry Coker. Williams is the dominant presence on the album, singing on seven of the original ten tracks, and his presence is a bit of a drag on some of the proceedings, especially "Only Forever." His work with Basie from this era is better represented on Count Basie Swings, Joe Williams Sings, although he and the band acquit themselves very well here on "Stop, Pretty Baby, Stop," where all hands are firing on all cylinders at once.