Logowanie
Najbardziej analogowe brzmienie na CD - XRCD!
TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
ELGAR, WILLIAMS, M.F, Sir John Barbirolli, Sinfonia of London
Introduction and Allegro for strings / Serenade in E minor / Fantasia on a theme by Thomas Tallis / Fantasia on ‘Greensleeves’
- Side One
- 1. Elgar: Introduction and Allegro for strings Op.47
- 2. Elgar: Serenade in E minor Op.20
- Side Two
- 1. Vaughan Williams: Fantasia on a theme by Thomas Tallis
- 2. Vaughan Williams: Fantasia on ‘Greensleeves’
- Sir John Barbirolli - conductor
- Sinfonia of London - orchestra
- ELGAR
- WILLIAMS, M.F
169.00 PLN
LP-180G 33rpm:
Nr kat.: HIQLP005Label : Hi-Q Records
• This famous LP was recorded at the Kingsway Hall, London on 10-11 May 1962,
except for the Tallis Fantasia which was recorded in the sonorous acoustic of the medieval Temple Church in the City of London a week later. The latter venue was suggested by the American composer and conductor Bernard Herrmann, a friend and admirer of Barbirolli since Sir John’s years in New York. Hermann’s website tells how -
“Herrmann insisted that ‘it must be done in a stone building not a studio’. So Herrmann suggested the Temple Church. The recording session was started at midnight to avoid traffic noise. According to Ursula Vaughan Williams (the composer’s widow): "Coats and bags and thermos flasks were piled round the effigies of Crusader Knights. Bernard was there, listening to the balance, listening to the music, and the resulting record is by far the best ever made of the work."
Produced by the legendary Victor Olof and engineered by Harold Davidson and Neville Boyling (Tallis)
Newly Cut at Abbey Road Studios from EMI’s original stereo master tapes
Pressed on 180g vinyl to audiophile standards
Featuring the original album artwork
“In the introduction and Allegro, Sir John shows his love of the score clearly enough and his is an experienced, masterly performance. The Serenade is warm and affectionate also but the work’s calm serenity is nevertheless skilfully preserved.” GRAMOPHONE
Płyty wytwórni HI-Q Records - w naszej ofercie
*