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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
Duke Ellington and His Orchestra
Soul Call
- Duke Ellington and His Orchestra - orchestra
AllMusic Review by arwulf arwulf [-] During the month of July 1966, Duke Ellington & His Orchestra performed at the Juan-les-Pins/Antibes Jazz Festival on the French Riviera, locally known as the Côte D'Azur. Situated near a stand of towering pine trees, the stage allowed the instrumentalists to gaze at vessels sailing by on the surface of the Mediterranean Sea. Ellington & His Orchestra, sometimes graced with the presence of vocalist Ella Fitzgerald, were filmed and taped extensively. When Ellington's Soul Call album was released in 1967, there was only room for 14 tracks. These included the world premiere recording (and what could stand as the definitive version of) "La Plus Belle Africaine"; "West Indian Pancake," a smoking hot feature for saxophonist Paul Gonsalves, and "Skin Deep," a 12-minute feature for Duke's "first chair percussionist" Sam Woodyard (whose name the leader repeatedly pronounced with dramatic emphasis). An appraisal of Soul Call (in Norman Granz's liner notes) damns the album with faint praise and emphasizes that this is not "essential" Duke Ellington. On the contrary, Soul Call does contain the essence of what Duke and his men were all about during the '60s. Soul Call cannot be recommended highly enough. It is late period Ellington at his most exciting.
