Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
DOWLAND, BYRD, Nigel North
Go From My Window
- Nigel North - Go from my window
- 01. Greensleeves (3:24)
- 02. Robyn (2:01)
- 03. Tinternell (4:09)
- 04. My Lord Willoughby's welcome home 1.11 (1:11)
- 05. My Lord Willoughby's welcome home 2.07 (2:18)
- 06. Walsingham (3:19)
- 1 ANON/FRANCIS CUTTING: Greensleeves
- 2 ANON: Robyn
- 3 ANTHONY HOLBORNE : Tinternell (or Short Almain)
- 4 JOHN DOWLAND: My Lord Willoughby's Welcome Home
- 5 WILLIAM BYRD: My Lord Willoughby's Welcome Home
- 6 JOHN JOHNSON: Walsingham
- 7 JOHN DOWLAND: Walsingham
- 8 JOHN JOHNSON: The Old Medley
- 9 JOHN JOHNSON: Carman's Whistle
- 10 ANON: John, Come Kiss Me Now
- 11 JOHN DANYEL: The Leaves Be Greene
- 12 DANIEL BATCHELAR: Une Jeune Fillette
- 13 THOMAS ROBINSON: The Spanish Pavan
- 14 WILLIAM BYRD: The Woods So Wild
- 15 EDWARD COLLARD: Go From My Window
- 16 JOHN DOWLAND: Go From My Window
- 17 JOHN DOWLAND: Loth To Depart
- Nigel North - lute
- DOWLAND
- BYRD
99.00 PLN
SACD Multi-CH HDCD:
Nr kat.: CKD176Label : Linn Records
An entire disc of Renaissance lute music, especially one that includes no fantasias, can easily be the aural equivalent of a fast changing kaleidoscope. Nigel North avoids this risk with items of high musical quality: only four of the 17 last for less than three minutes and two play for over six minutes. Interestingly, he juxtaposes settings of three of the popular songs of the day by two different composers, of whom Dowland is one in each case. The contrasts between his settings of My Lord Willoughby's Welcome Home with that of Byrd, of Walsingham with Johnson's, and with Collard's Go From My Window are striking; the less well known 'others' deserve better recognition. Several items have no other catalogue listing, and a second version (after David Maiiler's on Hyperion, 1/96) of Danyel's imaginative variations on Mistress Anne Grene her leaves be greene is long overdue. Not only is the programme sagely chosen, it is also magnificently played. There are many lutenists who play this music in correct style but few who present it in such 'human' fashion. With his lines shaped by finely controlled rubato and subtly shaded dynamics, North deserves his place among the finest living lutenists. The recording captures his splendid 'three-dimensional' tone and his avoidance of unwanted ghostly sounds from the movements of his left hand fingers, and his annotation is a model of its kind. If you should wish to instill a love of lute music in a friend, you could not do better than by beginning with this lovely recording. John Duarte Gramophone
