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DOHNANYI, Martin Roscoe

The Complete Solo Piano Music, Vol. 1

  • 1 Four Rhapsodies Op 11 [29'05]
  • 5 Winterreigen Ten Bagatelles Op 13 [28'06]
  • 15 Pastorale Hungarian Christmas Song [6'33]
  • 16 Three Singular Pieces Op 44 [10'20]
  • 19 Waltz from Delibes’ Coppélia [6'23]
  • Martin Roscoe - piano
  • DOHNANYI

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THE DAILY TELEGRAPH CLASSICAL CD OF THE WEEK 'The auspices are good even before you press the play button … A master pianist who has thoroughly immersed himself in the composer for years … A particularly happy start to the series' (Gramophone) 'Martin Roscoe performs these memorable virtuoso showpieces with tremendous panache and musical sensitivity … Roscoe's control of timbre is utterly magical … A charismatic and witty performance' (BBC Music Magazine) 'Roscoe's immaculate pianism, probing musical imagination and, above all, sympathy with Dohnanyi's expressive ways and means make him the ideal interpreter for such a comprehensive retrospective' (International Record Review) 'Works some of which are the most winning of the late Romantic era … Roscoe finds the ideal blend of lightness and broad lyrical sweep … A programme that refreshes some gorgeous, unjustly neglected music' (The Daily Telegraph) ------------------ Ernö Dohnányi was one of the most extraordinary polymaths in musical history: director of the Franz Liszt Academy, conductor of the Budapest Philharmonic Orchestra, music director of Hungarian Radio, he was also revered as a teacher—anyone who was anyone in Hungary was taught by him, not least Georg Solti. Dohnányi was also one of the finest pianists of his generation. As a pianist-composer his music grew out of the tradition of both Liszt, his compatriot, and Brahms, but his command of instrumental colour and rhythmic élan is all his own. This volume, the first of a complete survey from Martin Roscoe, encompasses nearly half a century of Dohnányi’s composing life, from the trenchant virtuosity of the Four Rhapsodies to the wit of the late Three Singular Pieces. Martin Roscoe’s previous recordings for Hyperion reflect his eclectic interests, from Bach transcriptions to the complete piano music of Nielsen and no fewer than four volumes in the Romantic Piano Concerto series.