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DEBUSSY/MATTHEWS, The Halle Orchestra, Sir Mark Elder

Preludes by Claude Debussy, arranged for orchestra

Preludes by Claude Debussy, arranged for orchestra image
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Mark Elder - Colin Matthews: The Debussy Preludes (Disc 1) 01. Brouillards, prelude for piano, L. 123/1 (4:10) 02. Ce qu'a vu le vent d'ouest, prelude for piano, L. 117/7 (3:16) 03. Minstrels, prelude for piano, L. 117/12 (2:43) 04. Canope, prelude for piano, L. 123/10 (3:03) 05. Les sons et les parfums tournent dans l'air du soir, prelude for piano, L. 117/4 (3:58) 06. La Puerta del Vino, prelude for piano, L. 123/3 (3:43) 07. Général Lavine, eccentric, prelude for piano, L. 123/6 (3:19) 08. Feuilles mortes, prelude for piano, L. 123/2 (3:43) 09. Les tierces alternées, prelude for piano, L. 123/11 (3:18) 10. La danse de Puck, prelude for piano, L. 117/11 (3:07) 11. Le vent dans la plaine, prelude for piano, L. 117/3 (2:57) 12. La fille aux cheveux de lin, prelude for piano, L. 117/8 (5:07) Mark Elder - Colin Matthews: The Debussy Preludes (Disc 2) 01. Danseuses de Delphes, prelude for piano, L. 117/1 (3:01) 02. La sérénade Interrompue, prelude for piano, L. 117/9 (2:50) 03. Des pas sur la neige, prelude for piano, L. 117/6 (4:22) 04. Les fées sont d'exquises danseuses, prelude for piano, L. 123/4 (3:51) 05. Voiles, prelude for piano, L. 117/2 (4:25) 06. Hommage à Samuel Pickwick Esq. P.P.M.P.C., prelude for piano, L.123/9 (2:45) 07. La terrasse des audiences du clair de lune, prelude for piano, L. 123/7 (4:32) 08. Bruyères, prelude for piano, L. 123/5 (3:25) 09. Ondine, prelude for piano, L. 123/8 (3:37) 10. Les collines d'Anacapri, for piano, L. 117/5 (3:44) 11. Feux d'artifices, prelude for piano, L. 123/12 (5:08) 12. La cathédrale engloutie, prelude for piano, L. 117/10 (8:38) 13. Postlude: Monsieur Croche, for ensemble (3:50)
  • The Halle Orchestra - orchestra
  • Sir Mark Elder - conductor
  • DEBUSSY/MATTHEWS

Produkt w tej chwili niedostępny.

"Matthews has been heralded for the success with which he has taken the inspiration of the piano masterpieces and skillfully created orchestral works of great variety, beauty and drama. “…these pieces are more than orchestrations, they are recreations achieved by entering into the mind and thought of the original composer. Beautiful performances.” Sunday Telegraph 2007 The two books of 24 preludes are so delicately and sensitively bound to the sonority and timbre of the piano that it is something of a miracle to hear them in any other guise. In fact, Colin Matthews realisations (aided and abetted by the superb playing of the Hallé under Elder) are far more than mere orchestrations – rather they are creative reimaginings with a distinctly personal touch. Gramophone Reviews ‘Debussy’s 24 piano preludes are seductive and brilliant but an extra sheen is added in Colin Matthews’s series of orchestrations composed for Elder’s Hallé orchestra. Matthews’s creative finesse is remarkable: the pieces aren’t simply dressed in orchestral clothes, rather sensitively re-imagined for an expanded palette of refined colours by a gifted contemporary composer.’ The Times