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BEETHOVEN, Bruno Walter
Symphony No. 6 'Pastorale'
Legendarna seria GREAT PERFORMANCES teraz na K2HD!
RODGERS, HAMMERSTEIN, Julie Andrews
Sound Of Music
EGZEMPLARZE NUMEROWANE Z PLATYNOWEJ PARTII 250-500 SZTUK!
NAIM Records - Delikatesy!
Winylowy niezbędnik
ClearAudio
Elixir of Sound
Nowa, jeszcze bardziej skuteczna receptura! Najlepszy na rynku płyn do igieł gramofonowych
ClearAudio
Poziomica gramofonowa - Dosenlibelle - Precision Bubble Level
Pierwszy i najważniejszy przyrząd do właściwej regulacji toru gramofonowego.
DE FALLA, Teresa Berganza, Ernest Ansermet, L'Orchestre de la Suisse Romande
The Three-Cornered Hat
- The Three-Cornered Hat - complete ballet [LIM XR24 014]
- 01. 1. Introduction - part 1 - Afternoon (14:25)
- 02. 2. Introduction - part 2 - The Neighbor's Dance (Seguidillas), The Miller's Dance (Farruca) (5:45)
- 03. 3. Part2 - Conclusion (16:44)
- 04. 4. LA VIDA BREVE - Interluâe and Dance (7:03)
- Teresa Berganza - soprano
- Ernest Ansermet - conductor
- L'Orchestre de la Suisse Romande - orchestra
- DE FALLA
The very fact that Manuel de Falla composed his ballet El sombrero de tres picos (The Three-Cornered Hat) for the ambitious impresario Serge Diaghilev and his epoch-making Ballets Russes indicates the historical importance of this work. Although the Impressionistic character of the musical language reflects his studies with Debussy, the composer never once renounces his native origins. Overflowing with the thrilling rhythms and electrifying melodies of Spanish folkmusic, this work achieved worldwide popularity virtually overnight. As so often before in this genre, the Swiss conductor Ernest Ansermet proves once again in this DECCA recording that he is a power to be reckoned with. The Orchestre de la Suisse Romande executes the slightest nuance, the most exquisite of figures and gentlest lyrical tone with meticulous precision. Powerful rolls of thunder, the click of castanets, lively rhythms and rich sonority conjure up a picture of fiery Spanish temperament so tangibly before our eyes that any comment on the recording quality appears almost superfluous. In a nutshell: this record is, quite simply, incredibly good.
