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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
MOZART, Jean-Francois Paillard, Jean-Francois Paillard Chamber Orchestra
Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
DE FALLA, Teresa Berganza, Ernest Ansermet, L'Orchestre de la Suisse Romande
The Three-Cornered Hat
- The Three-Cornered Hat - complete ballet [LIM XR24 014]
- 01. 1. Introduction - part 1 - Afternoon (14:25)
- 02. 2. Introduction - part 2 - The Neighbor's Dance (Seguidillas), The Miller's Dance (Farruca) (5:45)
- 03. 3. Part2 - Conclusion (16:44)
- 04. 4. LA VIDA BREVE - Interluâe and Dance (7:03)
- Teresa Berganza - soprano
- Ernest Ansermet - conductor
- L'Orchestre de la Suisse Romande - orchestra
- DE FALLA
The very fact that Manuel de Falla composed his ballet El sombrero de tres picos (The Three-Cornered Hat) for the ambitious impresario Serge Diaghilev and his epoch-making Ballets Russes indicates the historical importance of this work. Although the Impressionistic character of the musical language reflects his studies with Debussy, the composer never once renounces his native origins. Overflowing with the thrilling rhythms and electrifying melodies of Spanish folkmusic, this work achieved worldwide popularity virtually overnight. As so often before in this genre, the Swiss conductor Ernest Ansermet proves once again in this DECCA recording that he is a power to be reckoned with. The Orchestre de la Suisse Romande executes the slightest nuance, the most exquisite of figures and gentlest lyrical tone with meticulous precision. Powerful rolls of thunder, the click of castanets, lively rhythms and rich sonority conjure up a picture of fiery Spanish temperament so tangibly before our eyes that any comment on the recording quality appears almost superfluous. In a nutshell: this record is, quite simply, incredibly good.
