Logowanie
Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
COPLAND, Leonard Bernstein, New York Philharmonic
El salon Mexico / Concerto for Clarinet / Music for the Theatre
*** very rare ***
Bernstein is in his element, as Stanley Drucker gives a most tender, kindly, mercurial and virtuosic reading of the Clarinet Concerto. ...Made four years after the Third Symphony recording Bernstein and the NYPO allowed the DG engineering team into the Avery Fisher Hall again in October 1989... In El Salon Mexico Bernstein is in his element with music that could have been written for him. Certainly he knew the score intimately having prepared the piano reduction for the composer from the full score shortly after it had been written. from The recording is spectacular and the bass drum thwacks at 10:53 still vibrate the light fittings and reverberate against the rib-cage. Stanley Drucker by then an old-timer with the NYPO gives a most tender, kindly, mercurial and virtuosic reading of the Clarinet Concerto. Drucker’s way with the more lyrically singing music had me reconsidering my prejudices against this work. This is by the far the best recording of it that I have heard. The five part suite Copland called Music for the Theatre is spare, Stravinskian, circus-brash and humane. The languid singer can be heard in the lazy stroll in the third movement of the five. The disc traces Copland’s progress from the accessible Salon via stages of sophistication until we reach the ultima thule of Connotations which is both imposing and thorny; one of Copland’s serial compositions. Was he really such a dedicated follower of fashion? It remains a vivid and anguished testament. -- Rob Barnett, MusicWeb International
