Logowanie
Dlaczego wszystkjie inne nie brzmią tak jak te?
ENCYKLOPEDIA arcydzieł
SCHUMANN, PROKOFIEV, LISZT, CHOPIN, Evgeny Kissin
Carnegie Hall Debut Concert - September 30, 1990
Jeden z najbardziej spektakularnych debiutów ostatniego półwiecza!
Winylowy niezbędnik
ClearAudio
Cartridge Alignment Gauge - uniwersalny przyrząd do ustawiania geometrii wkładki i ramienia
Jedyny na rynku, tak wszechstronny i właściwy do każdego typu gramofonu!
ClearAudio
Harmo-nicer - nie tylko mata gramofonowa
Najlepsze rozwiązania leżą tuż obok
IDEALNA MATA ANTYPOŚLIZGOWA I ANTYWIBRACYJNA.
Clifford Brown
Clifford Brown All Stars
A great name, a genial arranger, a brilliant soloist, and an experienced bandleader. And all that combined in one man who is surrounded by musicians of equal calibre - his Allstars. That's how we know it from New Orleans and Chicago, and that's how it was in the Fifties, when the traditionalists believed that Jazz was on its way out. Clifford Brown was one of the most important musicians of that day who strove to produce a completely new form of expression by amalgamating intellectual Cool Jazz with the wild impulsiveness of Bebop. And how successful he was! Brown's style, the harmonic freedom of his playing, and his well-rounded, full timbre have influenced many generations of young trumpeters since then. Each side of this record (which first appeared in 1956) is devoted to a large-scale work filled with haunting melodies and a wealth of improvisation. The Allstars paint a melancholy picture of "Autumn in New York" in subdued tones as varied as the season itself. In "Caravan" the combo kindles a fire which crackles and burns for a full 15 minutes. While the whole of this improvisation is totally gripping, it is the brilliant percussion solo which stands out. For this alone, the album is worth its weight in gold. Featuring Walter Benton, Herb Geller, Max Roach, Kenny Drew
