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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
Claire Martin
Devil may care
This is Claire Martin's second release for Linn records, and if her debut was good this one is even better. On Devil May Care, she displays a growing maturity and confidence, a wonderful sensuous voice and a fine sense of timing and phrasing. Musicians, I guess, must love backing a talent such as this, and once again the pleasing task falls to Jim Mullen(guitar), Jonathan Gee(piano/organ), Arnie Somogyi(bass), and Clark Tracey(drums). Nigel Hitchcock and Iain Ballamy on saxes, and trombonist rick Taylor make guest appearances, and like the others play impressively throughout. Backing vocals, which are a welcome addition to some of the tracks, also come from within these ranks. Although Claire handles up-tempo numbers like By Myself with consumate ease, it is on the slower ones like Noel Coward's If Love Were All and the mournful Close Enough for Love on which she is backed only by Jim Mullen's tasteful guitar that she excels. Nigel Hitchcock's alto work on The Sun Was Falling From The Sky is also worth a special mention. Indeed, it's hard to find fault with this release. The choice of musicians, the choice of material (some of it self-penned) and the main protagonist's performance all add to a sophisticated and tasteful example of home-grown jazz. If, in this genre, Carol Kidd is the Quenn, Claire Martin could well be the Princess Royal Jazz Express.
