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OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
CHAUSSON, Chilingirian Quartet, Philippe Graffin, Pascal Devoyon
Concert and Piano Quartet
- Concert in D major, Op 21
- 1 Movement 1: Décidé [14'44]
- Pascal Devoyon (piano), Philippe Graffin (violin), Chilingirian Quartet
- 2 Movement 2: Sicilienne [4'20]
- Pascal Devoyon (piano), Philippe Graffin (violin), Chilingirian Quartet
- 3 Movement 3: Grave [9'11]
- Pascal Devoyon (piano), Philippe Graffin (violin), Chilingirian Quartet
- 4 Movement 4: Finale [10'48]
- Pascal Devoyon (piano), Philippe Graffin (violin), Chilingirian Quartet
- Piano Quartet in A major, Op 30
- 5 Movement 1: Animé [11'29]
- Pascal Devoyon (piano), Philippe Graffin (violin), Toby Hoffman (viola), Gary Hoffman (cello)
- 6 Movement 2: Très calme [8'39]
- Pascal Devoyon (piano), Philippe Graffin (violin), Toby Hoffman (viola), Gary Hoffman (cello)
- 7 Movement 3: Simple et sans hâte [3'45]
- Pascal Devoyon (piano), Philippe Graffin (violin), Toby Hoffman (viola), Gary Hoffman (cello)
- 8 Movement 4: Animé [11'13]
- Pascal Devoyon (piano), Philippe Graffin (violin), Toby Hoffman (viola), Gary Hoffman (cello)
- Chilingirian Quartet - quartet
- Philippe Graffin - violin
- Pascal Devoyon - piano
- CHAUSSON
59.00 PLN
CD:
Nr kat.: CDA66907Label : Hyperion
'Never have I had such a success! I can't get over it. Everyone seems to love the Concert.' So wrote Chausson in his diary after the first performance of his Concert in D major (1892); the Brussels audience present at this event had won him his first real triumph. The work is a model of cohesion, with strong ideas and melodies of great impact. The autograph manuscript is covered with alterations and crossings-out, signs of the composer's drive towards absolute perfection in this masterpiece of chamber music. The Piano Quartet was written in 1897 and once again its premiere saw the audience, this time in Paris, moved by the infectious vitality and undeniable force of the music. Had Chausson not died falling off his bike eighteen months later his chamber music output would no doubt have included many more such works and won the recognition which these two works show it to deserve.