Logowanie
KOLEKCJE!
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
Chantal Chamberland
Serendipity Street
ZamknijGaleria okładek
- Chantal Chamberland - vocal
329.00 PLN
LP-180G 33rpm:
Nr kat.: EVLP-004Label : Evosound (Japan)
Chantal Chamberland has a warm, toasty voice that can light up a dark nightclub and send a glow through her audience. She makes her third recorded outing on Dripping Indigo with a generous helping of songs, most of which dwell in areas that suit her pitch and trajectory perfectly. She gives the uptempo tunes a nice turn of fleck and dynamics, making this a fine showcase for a singer who deserves more attention. The Quebec-born singer has selected pieces that are ripe for the picking, including a line of jazz standards, a tune by the Bee Gees, and a couple of French songs. Her version of “Lover Man” is her own, with no attempt to do another Billie Holiday take-off. Her husky voicing, with a hint of breathiness, brings in a sexiness that alto saxophonist Paul White gives a deeper impact. A happy, frisky breeze flits across “I’m Beginning to See the Light” fired by a burst of joy from Bil Holianty's tenor sax. Chamberland shows a wider, more expressive range on “L’Hymne à l’amour” a heartfelt ballad that throbs with passion and serves as a fitting climax to an enjoyable record.
