Logowanie
OSTATNIE EGZEMPLARZE
Jakość LABORATORYJNA!
ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
CALDERARA
Ricimero
- Giacinto Calderara - Ricimiero
- 01. Ouverture I. Allegro (2:10)
- 02. Ouverture II. Andante (1:48)
- 03. Ouverture III. Presto (0:57)
- 04. Se quel tuo sguardo anmato (3:47)
- 05. Se il monti andar vedrai (3:24)
- 06. Lasciami in pace almeno (5:42)
- 07. Sei vincitor e vero (3:41)
- 08. Scorgerai in me l'ammante (3:40)
- 09. Sentirsi il petto accendere (3:16)
- 10. Tutti temer dovrete (2:39)
- 11. Io ti lascio oh figlia amata (3:33)
- 12. Se a quel vezzoso pianto (4:49)
- 13. Empia mano e tu scrivesti (3:54)
- 14. Rasserena il mesto ciglio (2:53)
- 15. Del rigor della mia stella (3:05)
- 16. Dille che mio tesoro (3:31)
- 17. Ma qual d'intorno sento (7:00)
- 18. Caro gli sdegni miei (3:55)
- 19. In giorno si ameno (1:53)
- CALDERARA
Ricimero is the masterpiece of Giacinto Calderara, the Piedmont musician whose bi-centenary is celebrated this year. This rare score of baroque opera was commissioned by the Teatro Regio in Turin to open the 1755/56 season and was rediscovered by Maurizio Benedetti during a research project that seeks to re-evaluate the inestimable heritage of lesser-known Italian music. An absolute premi?re edition in which the vocal virtuosity of the castrato voices is magnificently rendered today by the vocal acrobatics of the soprano Manuela Kriscak in the role of Ricimero, accompanied by the talented young Colombian soprano Alexander Zabala as Ernelinda. A monumental opera, which lasted three hours in its original version, is reproposed here in its essential parts: the arias are strongly characterised by expressive intentions, in obedience to the dominant theory of affetti in baroque opera. >>> Większa okładka A <<<