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Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
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NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
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Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
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Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
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ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
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BRUCKNER, Joseph Keilberth, Philharmonische Staatsorchester Hamburg
Symphony No. 9
79.00 PLN
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Nr kat.: WPCS12154Label : Warner Japan
Keilberth's approach to Bruckner is manifest at the first climax in the opening movement – conducted with great power and with an energy that carries over into the pizzicato bridge passage. Throughout the movement the lyricism comes out clearly – as do the lilting rhythms – even though each climactic section seems carved out of granite. The tempo of the scherzo and trio seem exactly right, and the movement displays very forceful brass playing. The brass continue to impress in the finale, still forceful but at the same time strikingly in balance with the woodwind, which Bruckner typically charges with the finer points of detail in this wonderful movement. The concluding dissonance before the coda is very draining, certainly the most powerful that I have heard for a while. The coda is a fitting epitaph and the audience is silent before bursting into enthusiastic applause. Copyright © 2012, José Luis Bermúdez https://www.classical.net/music/recs/reviews/o/orf38112a.php