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TCHAIKOVSKY, Arthur Rubinstein, Erich Leinsdorf, Boston Symphony Orchestra
Piano Concerto No. 1
KWINTESENCJA BRZMIENIA ANALOGOWEGO
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Serenade No. 7 'Haffner'
KWINTESENCJA BRZMIENIA ANALOGOWEGO
BRAHMS, Arthur Rubinstein
Piano Sonata No.3 in F Minor, Op.5 / Intermezzo in E, Op.116, No.6 / Romance in F, Op.118, No.5
KWINTESENCJA BRZMIENIA ANALOGOWEGO
Audiophile Classic - Extended HD2
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Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
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Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, Evgeny Mravinsky, Leningrad Philharmonic Orchestra
Synfonies 4-6
Nagranie EKSTREMALNIE audiofilskie
BRUCKNER, Joseph Keilberth, Philharmonische Staatsorchester Hamburg
Symphony No. 9
79.00 PLN
CD:
Nr kat.: WPCS12154Label : Warner Japan
Keilberth's approach to Bruckner is manifest at the first climax in the opening movement – conducted with great power and with an energy that carries over into the pizzicato bridge passage. Throughout the movement the lyricism comes out clearly – as do the lilting rhythms – even though each climactic section seems carved out of granite. The tempo of the scherzo and trio seem exactly right, and the movement displays very forceful brass playing. The brass continue to impress in the finale, still forceful but at the same time strikingly in balance with the woodwind, which Bruckner typically charges with the finer points of detail in this wonderful movement. The concluding dissonance before the coda is very draining, certainly the most powerful that I have heard for a while. The coda is a fitting epitaph and the audience is silent before bursting into enthusiastic applause. Copyright © 2012, José Luis Bermúdez https://www.classical.net/music/recs/reviews/o/orf38112a.php