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OSTATNIE EGZEMPLARZE
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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BRITTEN, ELGAR, WALTON, The Halle Orchestra, BBC Symphony Orchestra, Sir John Barbirolli
In the South (Alassio) / Partita for Orchestra / Sinfonia da Requiem, Op.20 / The Young Person's Guide to the Orchestra, Op.34
- Sir John Barbirolli
- Elgar: In the South (Alassio) Op.50
- Halle Orchestra
- Royal Festival Hall, London, 20 May 1970
- Walton: Partita for Orchestra
- Halle Orchestra
- Royal Albert Hall, London, 8 August 1969
- Britten: Sinfonia da Requiem, Op.20
- BBC Symphony Orchestra
- Royal Albert Hall, London, 8 August 1957
- Britten: The Young Person's Guide to the Orchestra, Op.34
- Halle Orchestra
- BBC Studios, 3 May 1967
- The Halle Orchestra - orchestra
- BBC Symphony Orchestra - orchestra
- Sir John Barbirolli - conductor
- ELGAR
- WALTON
- BRITTEN
59.00 PLN
CD:
Nr kat.: BBCL4013Label : BBC Legends
These recordings all date from the last few years of Barbirolli's life, and except the Young Person's Guide were taken at live performances. Audiences were quieter 30 years ago, and there is little that is seriously obtrusive in their coughed contributions. There's the odd brass fluff that would have been avoided in the studio, but these do not detract from the thrill of some electrifying performances. The presence of rough edges that today might be electronically sandpapered only adds to the raw excitement conjured by a master in full flight. In the South, recorded at the Festival Hall in London just two months before Barbirolli's death, was, as Michael Kennedy's sleevenotes point out, a relatively late discovery for the conductor, but his reading triumphantly matches the passionate intensity and range of mood of his other Elgar recordings. Walton's Partita follows in a contrastingly light vein, while Britten's Sinfonia da requiem is exuberantly doomy. Only in the Young Person's Guide to the Orchestra is lo-fi a problem, in a BBC studio that sounds as if a gas pipe is leaking. But if you can mentally silence the hiss, the performance is as worth cherishing as all the others. Christopher Wood