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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BRIDGE, The Raphael Ensemble
Early Chamber Music
- The Raphael Ensemble
- BRIDGE
59.00 PLN
CD:
Nr kat.: CDA67426Label : Hyperion
In 1901 the twenty-two-year-old Frank Bridge was engaged on a course of study at the Royal College of Music under the notoriously crusty Sir Charles Villiers Stanford, an experience the younger composer was to describe as being like ‘imbibing water through a straw instead of glaxo and bovril’. Nonetheless, the youthful String Quintet in E minor dating from this time betrays not the fug of the classroom, but rather the verve of Brahms, Dvořák and Elgar, and a distinctly Russian sense of energetic rhythmic bite alongside Bridge’s trademark effortless shifts from key to key. The String Sextet in E flat major, first performed in 1913 though originally sketched in 1906, is the most richly textured and expansive of all Bridge’s early chamber works. In three movements, the scale and character of this true masterpiece are established right from the first appearance of its soaring opening melody. A proficient violist in his own right, Bridge took to the stage in 1912 with Lionel Tertis to perform two viola duets of his own making. Never published, and their manuscripts lost, it eventually proved possible to revive one of them, the Lament, from an all-but complete sketch preserved in the Royal College of Music library. The result is some of the composer’s most personal music, Bridge skilfully spinning out from his two violas some of the most haunting and lyrical dialogues ever written.
