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Te tytuły za chwilę znikną z oferty
Arne Domnerus, Bengt Hallberg, Georg Riedel, Egil Johansen
Jazz at the Pawnshop
NAJWYŻSZY, NAJBARDZIEJ AUDIOFILSKI WINYLOWY NOŚNIK NA ŚWIECIE
CHOPIN, LISZT, Martha Argerich, Claudio Abbado, The London Symphony Orchestra
Concerto for Piano and Orchestra No. 1 in E minor, op. 11 / Concerto for Piano and Orchestra No. 1 in E flat major
UHQCD - dotknij Oryginału - MQA (Master Quality Authenticated)
Gregorio Paniagua, Atrium Musicae de Madrid
La Spagna Paniagua
Premiera nowego nośnika Ultimate HQCD
Audiophile Classic - Extended HD2
KODALY, ALBENIZ, Minneapolis Symphony Orchestra, Antal Dorati
Hary Janos Suite, / Iberia
Extended High Definition Mastering 2
DVORAK, Columbia Symphony Orchestra, Bruno Walter
Symphony No. 9 From the New World
Extended High Definition Mastering 2
Miles Davis, Julian 'Cannonball' Adderley, Paul Chambers, Jimmy Cobb, John Coltrane, Bill Evans, Wynton Kelly
Kinf Of Blue
Extended High Definition Mastering 2
GOUNOD, Vienna State Opera Orchestra, Armando Aliberti
Faust / Vienna Waltzes
Extended High Definition Mastering 2
RIMSKY-KORSAKOV, L'Orchestre de la Suisse Romande, Ernest Ansermet
Scheherazade
Extended High Definition Mastering 2
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Osobowości
TCHAIKOVSKY, MENDELSSOHN, Martha Argerich, Charles Dutoit, Royal Philharmonic Orchestra
Piano Concerto No. 1 in B-flat minor, Op. 23 / Concerto for Violin, Piano and String Orchestra in D minor -
Nikt nigdy szybciej tego koncertu nie zagrał. Wirtuozeria i maestria
BRAHMS, SCHUMANN, Wilhelm Kempff
Piano Sonata No.3 / Papillons, Op.2; /Fantasie in C major
59.00 PLN
CD:
Nr kat.: BBCL4085Label : BBC Legends
n his admirable booklet notes, Stephen Plaistow, the uncredited producer of this 1969 Queen Elizabeth Hall recording, quotes Alfred Brendel as remarking that ‘when the right wind blew’ Kempff could produce some of the greatest piano-playing he has heard. Judging from this particular concert, the wind must have changed direction during the interval. The Brahms F minor Sonata is disappointingly lacking in the essential elements that go to make up what Schumann described as a ‘veiled symphony’: grandiloquence, drama, tenderness and varied tone-colour. Its central scherzo, played with a pronounced accent on the first beat of every bar, sounds leaden; while the following intermezzo – which recalls the slow movement’s material in the form of a distant funeral march, complete with the sound of muffled drums – needs much more of a sense of mystery. The Schumann items are on an altogether higher level, with Kempff alive to all the kaleidoscopic shifts of mood in Papillons (the final chimes of six o’clock in the morning, as the revellers disperse, are particularly well handled), and producing an eloquent example of the singing tone for which he was justly renowned in the slow finale of the great C major Fantasy, Op. 17. This disc is worth acquiring for the Schumann alone, though Kempff’s artistry can be heard to greater advantage on an earlier recording from the same BBC series containing music by Bach, Beethoven and Schubert. As for benchmark performances of the Brahms F minor Sonata and the Schumann Fantasy, the classic versions by Clifford Curzon remain deeply satisfying. Misha Donat
