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ORFF, Gundula Janowitz, Gerhard Stolze, Dietrich-Fischer Dieskau, Deutsche Oper Berlin, Eugen Jochum
Carmina Burana
ESOTERIC - NUMER JEDEN W ŚWIECIE AUDIOFILII I MELOMANÓW - SACD HYBR
Winylowy niezbędnik
ClearAudio
Essence MC
kumulacja zoptymalizowana: najlepsze z najważniejszych i najważniejsze z najlepszych cech przetworników Clearaudio
Direct-To-Disc
PIAZZOLLA, ChamberJam Europe
Tangos del Ángel y del Diablo
Direct-to-Disc ( D2D ) - Numbered Limited Edition
BRAHMS, Sviatoslav Richter, Lorin Maazel, Orchestre de Paris
Piano Concerto No.2 in B Flat, op.83
- Sviatoslav Richter - piano
- Lorin Maazel - conductor
- Orchestre de Paris - orchestra
- BRAHMS
149.00 PLN
LP-180G 33rpm:
Nr kat.: HIQLP018Label : Hi-Q Records
Gramophone critic Bryce Morrison described Richter as follows: "Idiosyncratic, plain-speaking, heroic, reserved, lyrical, virtuosic and perhaps above all, profoundly enigmatic, Sviatoslav Richter remains one of the greatest recreative artists of all time." Richter, largely self-taught, was an eccentric genius who often performed in darkened halls so the public were not distracted by any of his mannerisms: "...I don't play for the audience, I play for myself, and if I derive any satisfaction from it, then the audience, too, is content." He disliked recording and many of his recordings are live but once engaged, took the process very seriously and teamed with Maazel and the Paris Orchestra, these 1969 studio sessions for EMI were magic. Curiously, he never recorded Brahm's first piano concerto. In the original October 1970 review, Trevor Harvey of the GRAMOPHONE wrote: "This is a magnificent performance. As sheer piano playing, for a start – however much you may think other aspects of the work matter more, you can hardly help enjoying the extraordinary range of the pianism, for there is scarcely a passage that doesn't bring new delights... There is everything here; the power, the darting delicacy and, above all, the most beautifully expressive soft playing... I have a list as long as my arm of splendid things about this performance, from Maazel as well as from Richter. And not least is the piano tone, which is superbly caught in every way from brilliance to the most lovely quiet warmth..."